Science Fiction Grand Master Harry Harrison died today. Even though he never won a Hugo award, and only won a single Nebula (a shared award for the movie Soylent Green), he was one of the most prolific and influential authors in the genre. He was best known for his humorous science fiction - the Bill the Galactic Hero series, the Stainless Steel Rat series, and so on, but he was capable of writing excellent serious fiction as well, as his novel Make Room! Make Room! (which was the basis for Soylent Green) attests. My first exposure to Harry Harrison was when I read Bill the Galactic Hero, a brutally satirical spoof of Starship Troopers, Foundation, and pretty much every other popular science fiction novel written before 1965. I vividly remember the brutal drill sergeant Deathwish Drang, the absurdly silly bloater drive, a hero with two left arms, a revolution in which all but one revolutionary was a double agent on the government's payroll, and seven inch tall purple kangaroos as the deadly enemy of the Galactic Empire. Harrison wrote a lot of books, many of which I have read, but Bill the Galactic Hero was my first, and remains my favorite.
Many people are going to write about their fond memories of meeting and interacting with Harrision, for example, John Scalzi has posted a nice little story on his blog Whatever about meeting Harrison when Scalzi was a freshly minted member of the SFWA. Neil Gaiman has also written about his fond memories of Harrison. By all accounts Harrison was a magnanimous man, helpful and friendly to new authors, and generally an all-around good guy. I have no stories about Harrison. I never met him. And now I will never have the chance to do so. For me, the story of science fiction as a genre is tinged with sadness. Most of my favorite authors - Asimov, Heinlein, Anderson, Clarke, Bradbury - were either dead before I even thought that meeting authors was a possibility, or have died in the last couple of years without my ever having the opportunity to meet them. I guess what I am saying is simply don't wait. If there is an author you want to meet to talk to, to get to know, or just to say thank you to, do it sooner rather than later. Because there may not be a later. And although I may be able to one day have a Scalzi story, or a Gaiman story, or a Le Guin story (sad note from 2018, no I won't have a Le Guin story), I'll never have an Asimov story, or a Bradbury story, or a Harrison story. I wish I did. But they are gone and all we have left are their books.
Random Thoughts Home
On which I write about the books I read, science, science fiction, fantasy, and anything else that I want to. Currently trying to read and comment upon every novel that has won the Hugo and International Fantasy awards.
Wednesday, August 15, 2012
Random Thought - R.I.P. Harry Harrison
Tuesday, August 14, 2012
Review - Second Skin by Peter Darrach
Short review: Max Cody gets gifted with super powers by mysterious aliens just in time to stop the ice pirates' nefarious plot against Mars.
Haiku
A strange accident
Gives Max some super powers
So he foils villains
Disclosure: I received this book as an Advance Review Copy. Some people think this may bias a reviewer so I am making sure to put this information up front. I don't think it biases my reviews, but I'll let others be the judge of that.
Full review: Second Skin aspires to be a hard science fiction story with a twist. To a certain extent the book evokes memories of Heinlein or Asimov, with a hyper-competent manly hero, a beautiful but dazzlingly brilliant love interest, emerging technology that poses new problems, an unsettled interplanetary political scene, and a villainous conspiracy that threatens everything. Although the book holds promise, it is hampered by some fairly clumsy information dumps, overly serendipitous plot developments, and characters that alternate between being incompetent dimwits and infallible super-geniuses.
The story is set in a moderately near future reality in which mankind has colonized Mars and begun to mine the asteroid belt. We learn early in the book that Mars has recently won independence from the Earth, although there is still political tension between the two planets. But the method by which Darrach fills the reader in on the current political situation is by having a character respond to the question "fill us in on current political events" by giving an extended history lesson. If this feels artificial, that is because it is. The equivalent in piece of a contemporary fiction would be to have a character give a detailed history of the U.S. Revolutionary War in response to the question "How is the U.S. getting along with Europe these days". Sadly, this is just the first time Darrach interrupts the flow of the story to dump a bucket of information over the reader's head like cold water. One key skill that a science fiction writer has to have is the ability to artfully convey the differences between the fictional world they are describing and the world in which we live. The best science fiction writers are able to do this as a seamless part of their story. But many writers, including Darrach, see their story grind to a screeching halt every time they try to impart such information to the reader.
In an action oriented story like Second Skin, this sort of interruption is problematic, as it pulls the reader out of the adventure, forcing them to sit through a miniature lecture instead. And this is a shame, because the adventure featuring deep space miner Max Cody and his navigator girlfriend Elaine Zhou that forms the core of the story is fairly interesting. As the story opens, Max runs across some trouble while mining in the asteroid belt, and soon discovers that he has acquired mysterious capabilities that allow him to overcome near certain death. His story intertwines with the story of space pirate Suicide Sam, who is pursuing some unknown goal inimical to the nascent Martian Republic. The story hops between Max, Elaine, Sam, and Daniel Sinclair, the director of the industrial space platform "MOSA" in orbit around Mars, skipping back and forth between the disparate threads of the story.
Although the story starts with Max and Elaine in the asteroid belt, they quickly move to MOSA, an installation that is the key to Martian wealth, and the focus of much of the action that occurs in the book. It turns out that the fledgling Martian space navy is interested in Max and Elaine as possible recruits, having taken notice when the two managed to recover a stolen cruiser from Suicide Sam. Once there, our heroes are drawn into the complex web of intrigue that surrounds both MOSA and its soon to be activated sister installation MOSA II. Max and Elaine are improbably taken into the confidence of those in power, both in the navy and in the government arm that administers MOSA and provides its security. But at the same time, despite the fact that the security apparatus knows who has been working with the asteroid belt pirates as their inside man, they are incompetent enough that they are caught flat-footed when their villainous plan is put into effect, and are only saved by the unexpected heroics of Max, and he is only able to provide those heroics because he obtained inexplicable super powers at the beginning of the book. And this is where Darrach most clearly leaves his literary antecedents behind – whereas a Heinlein, Asimov, or Niven-penned science fiction hero would have figured out a way to foil the villains' plans with some quick thinking and a well thought-out counterattack, Max simply relies upon his superhuman abilities to do the work. One ends up wondering what would have happened if the apparently almost randomly bestowed abilities Max is gifted with were to have been handed to Suicide Sam, or to someone who didn't bother to go to MOSA instead of continuing his job of rock-jockeying.
The political machinations that make up the bulk of the book are clearly a sideshow to the story that Darrach actually wanted to tell involving a new form of transportation technology. And this is the string that ties all of the various plot elements together into a whole. But the problem is that even though these various plot threads all dovetail together fairly nicely at the end, for most of the book the reader is left wondering what the disparate events being described have to do with one another. And as a result, the reader has to fight through much of the book unable to put the pieces together until after they have read most of it, a situation that makes the book at times confusing, at others tedious, and sometimes both. If the story that the book added up to was uninteresting or badly written, this would be of no concern. But Second Skin is neither uninteresting nor badly written, and once all the pieces are fit together and the story gets going, it turns into an exciting and enjoyable romp. But as good as the last third of the book is, the reader is left wondering why the first two-thirds simply don't measure up.
Overall, Second Skin is a book worth reading despite the fact that it takes time to come together. The central characters are well drawn, and the central conflict, once it gets going, is engaging. Couple these elements with an intriguing story about technological advancement, and the whole adds up to a pretty good book. Given that the background is more or less fleshed out in this book, one can have reasonable cause to hope that the sequel, Second Skin, Too, will avoid the missteps in this volume and stand out as a superior piece of work.
Subsequent book in the series: Second Skin, Too
Peter Darrach Book Reviews A-Z Home
Monday, August 13, 2012
Musical Monday - Cosmos by Vangelis
The recent landing of Curiosity on Mars made me think a lot about Carl Sagan this past week. Well, that and finishing my review for The Demon-Haunted World (read review). Sagan loved Mars. He devoted an entire episode to Mars in his seminal science education miniseries Cosmos titled "Blues for a Red Planet". He was involved in the two Viking missions to Mars, and was an advocate for continuing exploration of the red planet. As a boy, his love for science was at least partially kindled by reading Edgar Rice Burroughs' fanciful account of John Carter's adventures on Mars, or as the imagined inhabitants called it "Barsoom".
Even though his love of planetary astronomy was his professional credential as a scientist, Sagan's true calling was as an educator. And he cemented himself in the popular mind as such with his 13-part 1980 documentary series Cosmos. I remember sitting in my parents basement, the television tuned to our local PBS affiliate (WETA Channel 26, if anyone cares) and watching as Sagan patiently explained to my eleven year old self the history of science, how black holes work, what humans are made of, how our brains work, the discoveries that the Voyager spacecraft sent back to us, and a multitude of other topics. In a way, Sagan invited everyone with a television to join in a classroom and learn about science in the broadest scale possible. He didn't have to do this. But he did. years later, the first DVD collection that I got was Cosmos. Thirty-two years after it first aired, the series remains compelling and fascinating still.
Previous Musical Monday: Storms by Fleetwood Mac
Subsequent Musical Monday: Oh My Dayum by The Gregory Brothers featuring Daym Drops)
Vangelis Musical Monday Home
Friday, August 10, 2012
Book Blogger Hop August 10th - August 16th: Hercules Endured Twelve Labors

Jen at Crazy for Books has restarted her weekly Book Blogger Hop to help book bloggers connect with one another. The only requirements to participate in the Hop are to write and link a post answering the weekly question and then visit other blogs that are also participating to see if you like their blog and would like to follow them. A complete explanation of the history and the rules of the Hop can be found here.
This week Jen asks: Who is your go-to author when you are in a reading rut?
For many years I would have said Heinlein, but I've read almost everything he's written, so I think I have kind of tapped that well dry. Instead, I'll say Poul Anderson, Ursula K. LeGuin, and C.J. Cherryh. I have yet to read one of their books that wasn't both enjoyable and thought provoking.
Go to previous Book Blogger Hop: Nigel Tufnel's Amplifiers Go to ELEVEN!
Go to subsequent Book Blogger Hop: Thirteen Ghosts Is a Silly Movie, But I Love It Anyway
Book Blogger Hop Home
Follow Friday - Psalms 90:10 Measures a Man's Life as Seventy Years
It's Friday again, and this means it's time for Follow Friday. There has been a slight change to the format, as now there are two Follow Friday hosts blogs and two Follow Friday Features Bloggers each week. To join the fun and make now book blogger friends, just follow these simple rules:
- Follow both of the Follow My Book Blog Friday Hosts (Parajunkee and Alison Can Read) and any one else you want to follow on the list.
- Follow the two Featured Bloggers of the week - Mandee @ Compelled by Words and The Bookshelf Review.
- Put your Blog name and URL in the Linky thing.
- Grab the button up there and place it in a post, this post is for people to find a place to say hi in your comments.
- Follow, follow, follow as many as you can, as many as you want, or just follow a few. The whole point is to make new friends and find new blogs. Also, don't just follow, comment and say hi. Another blogger might not know you are a new follower if you don't say "Hi".
- If someone comments and says they are following you, be a dear and follow back. Spread the love . . . and the followers.
- If you want to show the link list, just follow the link below the entries and copy and paste it within your post!
- If you're new to the Follow Friday Hop, comment and let me know, so I can stop by and check out your blog!
I would start seriously blogging earlier than I did. Although I started this blog in 2008, I kind of floundered about for roughly two years before I sat down and decided what I really wanted to do with the blog. If I could go back and do it all over again, I'd have gotten my act together sooner, and begun putting in the hard work that a blog needs to be successful.
Go to previous Follow Friday: I'll Skip the Obvious "69" Reference and Instead Point Out That I Was Born in 1969
Go to subsequent Follow Friday: The Coolest Airplane in the World Is the SR-71 Blackbird
Follow Friday Home
Thursday, August 9, 2012
Review - The Demon-Haunted World: Science as a Candle in the Dark by Carl Sagan
Short review: For most of human history, our world has been shrouded in myth and superstition. Science is the light that leads us out of the darkness.
Haiku
The world is shadowed
We need light to lead us out
Science is the way
Full review: Throughout his life Carl Sagan was a passionate advocate for science in general and science education specifically. Sagan clearly believed that an educated public was essential to a modern, pluralistic, egalitarian, democratic society, and attempted to do as much as he could from his position as a professor at Cornell University to promote the cause. And the kind of education that concerned him most was science education - partially because he had devoted his professional life to the pursuit of science, but also because he believed that understanding the reality of how the world around us works is a critical skill enabling a voting populace to be better able to make informed and effective choices. The primary means by which he worked to advance his goals was to publish books about science that would be accessible to the general public, culminating in the publication of The Demon-Haunted World.
The subtitle of The Demon-Haunted World is Science as a Candle in the Dark, a statement that reflects Sagan's justifiable belief that the truths about the universe provided by science are our only defense against the darkness of ignorance that dominates much of human history. To counteract the ever advancing shadow of pseudoscience, superstition, hokum, and other foolishness, Sagan prescribes a firm grounding in science and a familiarity with philosophy. Sagan starts by describing his own science education, asserting that while his own parents were neither scientists or readers, they encouraged their son's own interest in such thing. But Sagan also criticize the pre-university education inflicted upon him: learning facts and equations by rote, memorizing the periodic table of the elements, and other similarly tedious ways of imparting the dry knowledge of science while sucking the joy and wonder out of the discipline. Despite this tedium, Sagan preserved his love of science via independent study, reading voraciously from the public library. It was only once he had managed to slog his way through High School and reach the collegiate level that his burning desire to understand the universe was embraced and encouraged by the educational establishment.
Given this, it should come as no surprise that Sagan's solution is not to put children in classrooms memorizing facts, although he does acknowledge that there is value to learning facts and figures. His prescription is an effort to impart the joy of discovery in students, but to do so by encouraging and promoting creative thinking. As an example, he recounts an encounter he had with a cab driver in which the driver asserted a belief in a variety of somewhat silly ideas: frozen extraterrestrials, channeling, Nostradamus's prophecies, astrology, the Shroud of Turin, and so on. In each case Sagan had to point out that the driver's belief was almost certainly misplaced, primarily because the evidence supporting those beliefs was lacking. But Sagan didn't simply tell the driver that he was wrong, he attempted to explain why he was wrong. And at the same time, Sagan expressed sadness at an educational system that had failed to equip this man with the tools necessary to distinguish between reality and fantasy.
As an astronomer, Sagan often dealt frequently with UFO enthusiasts, who were convinced that not only were aliens real (a conviction that Sagan shared, but which he asserted was merely speculation), but that they routinely visited the Earth, abducted humans, performed bizarre medical and sexual experiments on them, and in some cases, lived among us hidden by clever disguises (all convictions that Sagan rejected as unsupported by evidence). In The Demon-Haunter World, Sagan explores the UFO phenomenon, found almost exclusively in the twentieth century of Europe and the United States, discussing the roots of the craze, its most prominent advocates, the anecdotes that purportedly support it, and the proffered evidence used to support its claims. In turn, Sagan examines each bit of UFO lore and explains exactly why the evidence supporting it is simply insufficient to reach the conclusions that UFO enthusiasts fervently believe to be true. Many of his arguments in this area are not new - UFOs have been reported since 1947, and Sagan has been grappling with claims put forward by believers for much of his career - but in The Demon-Haunted World Sagan assembles much of his collected thoughts on the issue into one place. Even though I had seen some of these arguments back in 1980 when I first watched the Cosmos television series, they are still fascinating reading.
But although Sagan hinted in Cosmos that the UFO phenomenon seemed to him to be more connected with superstition and religion than with any kind of actual events, in The Demon-Haunted World he argues explicit in favor of a connection, drawing a parallel between UFO abduction stories and the witch-burning hysteria of pre-modern Europe fueled by lurid stories of demonic visitations. Sagan convincingly traces the link between these tales, and the modern stories of UFO abduction with the only real difference being that imagined demon visitation often resulted in the condemnation and execution of thousands of people based upon nothing more than an unexplained dream someone had of being abducted and raped by demons. In a world in which claims need not be supported by evidence, the mere accusation equated to a presumption of guilt, and those presumed guilty were tortured until they confessed and required to name their accomplices, resulting in more arrests, more torture, and more accusations. Although this does not happen with UFO abduction stories, when the connection is show, it is chilling, because it demonstrates how close we are to a world in which people can be killed based upon nothing more than mass hysteria. A critical mind and a demand for evidence is often all that stands between us and barbarity.
Sagan, of course, does not confine his commentary to UFO sightings and witchcraft trials, but examines a variety of pseudoscientific beliefs including creationism, astrology, telepathy, "channeling", and so on. He recounts the tale of the psychic Jose Luis Alvarez who was scheduled to appear in Australia, heavily promoted as being able to channel the spirit of "Carlos", an ancient soul able to deliver prophecies and impart wisdom. Only after "Carlos" had appeared on Australian television, been written up numerous newspaper articles, and sold out the Sydney Opera House was the whole thing revealed to be a hoax. And with this, and the reactions to the revelation of the hoax, Sagan shows how charlatans of all stripes take advantage of the gullible, or merely unwary. And while the dangers of falling for the charms of a psychic are usually only of concern to the individual being gulled, the dangers of falling for pseudoscientific ideas can have far larger consequences in a society in which our health and welfare depend powerfully upon the application of science. People who refuse to vaccinate their children, people who deny the science of climate change, people who attempt to undermine the foundations of biology, geology, astronomy, and cosmology by advocating the teaching of creationism, they have all been misled about the nature of reality, and they consequently take actions that are foolish, and in some cases dangerously harmful.
The point of the book, however, is not just to point out that some ideas are simply wrong. No, Sagan wants to equip the reader with a tools to sort viable claims from fanciful ones. As he points out, if you are too resistant to new ideas, then you will miss out when new discoveries are made, whereas if you go the other way and become open to anything, you will be unable to discriminate between useful material and baloney. As an illustration, he introduces the idea that he has an invisible, floating, incorporeal, heatless fire-breathing dragon in his garage, and wonders exactly why anyone would believe his claim, and further wonders even if his claim were true, why the difference between an invisible, floating, incorporeal, heatless fire-breathing dragon and no dragon would matter. Sadly, too many people seem to be all too willing to accept claims that are no better than the assertion that an invisible, floating, incorporeal, heatless fire-breathing dragon is residing in Sagan's garage. To help rectify this situation, Sagan provides a "baloney detection kit" to arm the skeptical thinker. Sagan lists several ways to construct and understand reasoned arguments, and just as critically, to recognize fallacious and fraudulent arguments. To this end, Sagan gives a collection of testing tools to assess arguments, and follows with a list of commonly used logical and rhetorical fallacies. Sagan does not merely want to opine on whether a particular argument is sound or not. He realizes that this would only serve to inform the reader about that particular issue. His goal is clearly to create a cadre of individuals who can assess the claims that come their way and separate the wheat from the chaff.
It is not enough to explain how to determine true science from false pseudoscience and superstition, one has to explain why science itself is important. And to do this, Sagan creates a hypothetical in which Queen Victoria gathers the leading scientists of her day together in 1850 and asks them to create a better communications system. It almost goes without saying how silly an endeavor this would have been, and how the resulting product would be something of marginal utility and ludicrous design. But then he shows how, in 1850, James Clark Maxwell, without being directed to any particular purpose, and without any real idea of what his discovery might be used for, came up with the equations that defined electrodynamics. And by doing so, came up with the science that allows us to have radios and televisions, creating an integral part of our modern world, but a part that no one in 1850 could have possibly foreseen. The point is simply this: while we can be certain that science will define the future, we are almost certainly wrong about what that future will look like. To find that future, we need to have a populace with a comprehensive science education.
Throughout The Demon-Haunted World Sagan relentlessly hammers his point home: giving anecdotes about Frederick Douglas concerning the value of literacy, a discussion of Dr. Edward Teller's obsession with fusion bombs, and the creation of a public museum of science in Ithaca, New York. With these examples, and numerous others, Sagan eloquently demonstrates the need for a scientifically literate populace as a means to hold back the night. Although he is at times too forgiving of silliness, for example when he recounts his inability to sign a statement declaring astrology to be hokum, he explains his reasons well, and even if one does not agree, one can understand. And that is clearly the end goal Sagan had in mind: not that the reader would agree with him, but that the reader would learn enough to be able to understand, and by understanding, help to hold back the darkness.
Carl Sagan Book Reviews A-Z Home
Tuesday, August 7, 2012
Review - Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time by Dava Sobel
Short review: Sailors need to find out how to calculate longitude. England offers a prize. Clockmaker comes up with a solution.
Haiku
Dangerous sailing
Until unknown clockmaker
Solves it with a watch
Full review: Sailors have been able to calculate latitude almost since men first set out onto the ocean. Calculating longitude, on the other hand, is a technology that has only been perfected in the relatively recent past. Many of the famous explorers whose names students now commit to memory set out with no reliable method of telling how far east or west they were, resulting in many deaths and extensive hardships for the crews involved.
Dava Sobel's book details the story of the Longitude Prize enacted by the British Parliament, the bizarre and impractical solutions offered to win the prize, and the lifelong efforts of John Harrison, a man who finally fulfilled the conditions necessary to win the Longitude Prize, but due to the prejudices and conflicts of interest of the commissioners charged with awarding the prize, was never actually awarded the bounty, despite having the backing of King George himself.
The method for determining longitude is fairly straightforward. One must calculate the local time where one is, and compare it to the time at some known position, which is now always assumed to be Greenwich in the United Kingdom. The difference in the local time and the Greenwich time can be expressed in hours, minutes, and second, and then plotted on a globe, showing the longitude of the ship in question. The prime difficulty facing the aspirants for the Longitude Prize was how to determine Greenwich time when one was presumably hundreds or thousands of miles away.
Astronomers, who favored methods using stellar and lunar observations, eventually settled upon a method that involved tracking the path of the moon across the sky, comparing its location to the locations of designated guide stars, and measuring the distance between the Earth and the moon. This method was complicated and difficult, and required massive numbers of celestial observations to be made before the required charts could be made to begin with. This method was also somewhat unreliable - on a cloudy night, one could not locate the stars needed, many days out of the month the moon is not visible (as it is located on the opposite side of the Earth), and so on.
John Harrison, on the other hand, sought to build a very accurate clock. Once such a clock was set to, for example, London time, one could simply refer to the clock at noon local time, and determine by seeing how far away from noon the clock was how many minutes and seconds of arc one was from London. However, the clock would have to remain accurate over long periods of time, in humid conditions, and across a wide span of temperatures. When the Longitude Act was passed, clocks were not even accurate to within several minutes per day, and even an error of a couple seconds per day would cause the navigator to miscalculate a ships position by dozens or even hundreds of miles.
The book describes Harrison's attempts to build such a clock, eventually settling upon an oversized watch. The book also describes the hostility many of the astronomers on the longitude board evaluating his submission had towards him. While Harrison was a tradesman, and a self-educated mechanic to boot (earning the derision of many of the highly educated aristocratic astronomers on the board), he was their competitor for the extremely lucrative prize. Under the guidance of successive Royal Astronomers, the board imposed more and more difficult obstacles to Harrison's watch, until in frustration he appealed directly to King George. Eventually, with the King's assistance, Harrison was awarded a prize by a special act of parliament. The obstinate longitude board never awarded the full Longitude Prize to anyone.
Sobel has created a compelling story out of what could have been a rather boring event in history. In a roundabout way, Harrison's story explains to a certain extent why pirates and privateers were common before the 1800s, and vanished almost completely thereafter. One thing made clear (to me at least) is that many writers of historical fiction, or even fantasy, make sea travel in the pre-Longitude era too reliable, and too easy. It is probably the measure of the success of a technological advance that it becomes so prevalent and accepted that the difficulties faced in the days before are forgotten by the general public. On that score, Harrison's watch is one of the most significant technological developments in history.
One nitpick I have is with the subtitle of the book. It seems to me that the longitude problem was not a scientific problem, but rather an engineering one. That failing aside, this is an excellent book.
Dava Sobel Book Reviews A-Z Home
Monday, August 6, 2012
Musical Monday - Storms by Fleetwood Mac
There are some songs that you enjoy, but don't really understand until experience teaches you their true meaning. Storms is one of those songs. I have always enjoyed this song, but like Against the Wind by Bob Seger, Running on Empty by Jackson Browne, and so many others, it wasn't until age and experience taught me its true meaning that I was able to really love and appreciate it.
As a side note, although I usually like to choose live versions of songs, Fleetwood Mac didn't start playing this song live until 2009. Even though it originally appeared on their 1981 album Tusk, the subject matter was apparently too painful to perform live, which, given how brutal some of the songs that they did routinely play live are, is quite a statement. But by 2009 when they did begin playing it live, Christine McVie was no longer touring with the band, and to me, Fleetwood Mac without Christine McVie is just not Fleetwood Mac.
Previous Musical Monday: A Friend Is a Friend by Pete Townshend
Fleetwood Mac Musical Monday Home
2012 Mythopoeic Award Nominees
Location: Mythcon 43 in Berkeley, California.
Comments: In 2012 Catherynne M. Valentine pulled off the fairly impressive accomplishment of having a book nominated in both the Adult Fantasy Literature and Children's Fantasy Literature categories. Valente's individual accomplishment also serves to highlight the fact that in recent year fantasy literature has been pretty much dominated by female authors. Women seem to make up the majority of authors producing adult fantasy literature, but they have absolutely dominated young adult fantasy literature. I'm not entirely sure what this indicates about the book publishing industry other than we are lucky to have such a broad base of prolific female fantasy authors, although the fact that young adult fiction appears to have been cordoned off as a space to relegate female authors into seems to me to be somewhat troubling.
Best Adult Fantasy Literature
Winner:
Other Nominees:
The Heavenly Fox by Richard Parks
The Night Circus by Erin Morgenstern
Best Children's Fantasy Literature
Winner:
Other Nominees:
Scholarship Award in Inklings Studies
Winner:
Other Nominees:
Tolkien and the Study of His Sources: Critical Essays by Jason Fisher
Myth and Fantasy Studies
Winner:
Other Nominees:
The Fantastic Horizon: Essays and Reviews by Darrell Schweitzer
Go to previous year's nominees: 2011
Go to subsequent year's nominees: 2013
Book Award Reviews Home
Comments: In 2012 Catherynne M. Valentine pulled off the fairly impressive accomplishment of having a book nominated in both the Adult Fantasy Literature and Children's Fantasy Literature categories. Valente's individual accomplishment also serves to highlight the fact that in recent year fantasy literature has been pretty much dominated by female authors. Women seem to make up the majority of authors producing adult fantasy literature, but they have absolutely dominated young adult fantasy literature. I'm not entirely sure what this indicates about the book publishing industry other than we are lucky to have such a broad base of prolific female fantasy authors, although the fact that young adult fiction appears to have been cordoned off as a space to relegate female authors into seems to me to be somewhat troubling.
Best Adult Fantasy Literature
The Uncertain Places by Lisa Goldstein
Other Nominees:
Among Others by Jo Walton
Deathless by Catherynne M. ValenteThe Heavenly Fox by Richard Parks
The Night Circus by Erin Morgenstern
Best Children's Fantasy Literature
The Freedom Maze by Delia Sherman
Other Nominees:
Beka Cooper trilogy (Terrier, Bloodhound, and Mastiff) by Tamora Pierce
The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente
The Scorpio Races by Maggie Stiefvater
Théâtre Illuminata series (Eyes Like Stars, Perchance to Dream, and So Silver Bright) by Lisa Mantchev
Scholarship Award in Inklings Studies
Tolkien and Wales: Language, Literature and Identity by Carl Phelpstead
Other Nominees:
The Art of the Hobbit by J.R.R. Tolkien by Wayne G. Hammond and Christina Scull
C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy by Sanford Schwartz
The Power of Tolkien's Prose: Middle-earth's Magical Style by Steve WalkerTolkien and the Study of His Sources: Critical Essays by Jason Fisher
Myth and Fantasy Studies
The Enchanted Screen: The Unknown History of Fairy-Tale Films by Jack Zipes
Other Nominees:
Cheek by Jowl: Essays by Ursula K. Le Guin
The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald by Bonnie Gaarden
Fairy Tales: A New History by Ruth B. BottigheimerThe Fantastic Horizon: Essays and Reviews by Darrell Schweitzer
Go to previous year's nominees: 2011
Go to subsequent year's nominees: 2013
Book Award Reviews Home
Labels:
Book Reviews,
Fantasy Fiction Reviews,
Mythopoeic Nominee Reviews,
Mythopoeic Winner Reviews
Friday, August 3, 2012
Book Blogger Hop August 3rd - August 9th: Nigel Tufnel's Amplifiers Go to ELEVEN!

Jen at Crazy for Books has restarted her weekly Book Blogger Hop to help book bloggers connect with one another. The only requirements to participate in the Hop are to write and link a post answering the weekly question and then visit other blogs that are also participating to see if you like their blog and would like to follow them. A complete explanation of the history and the rules of the Hop can be found here.
This week Jen asks: When a book goes “viral” (Hunger Games, Fifty Shades, Twilight), do you rush out to read it like everyone else, even if it’s not in your typical genre?
No. Not because I'm making some sort of statement, but rather because I obtain almost all of my books second hand. I make the rounds at library book sales and frequent used book stores, and usually don't get the "viral" books until the people who bought them during the media frenzy have tired of them and dumped them off at some place that will resell them. Sometimes my apathy extends even further - I didn't get any of the Harry Potter books until my brother (at the time an employee of Little, Brown), sent me copies of the first four in the series.
My general indifference to getting the newly hyped books when they are published is, at least in part, driven by the fact that I have a pile of unread books that numbers in the thousands. Even if I were to get a book when it was "hot", it is likely that I wouldn't be able to get around to reading it for a year or two, so getting the book right away would be something of a waste for me.
Go to previous Book Blogger Hop: Five Different Superstring Theories Posit Ten Spacetime Dimensions
Go to subsequent Book Blogger Hop: Hercules Endured Twelve Labors
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Follow Friday - I'll Skip the Obvious "69" Reference and Instead Point Out That I Was Born in 1969
It's Friday again, and this means it's time for Follow Friday. There has been a slight change to the format, as now there are two Follow Friday hosts blogs and two Follow Friday Features Bloggers each week. To join the fun and make now book blogger friends, just follow these simple rules:
- Follow both of the Follow My Book Blog Friday Hosts (Parajunkee and Alison Can Read) and any one else you want to follow on the list.
- Follow the two Featured Bloggers of the week - Read It, Read It, Loved It and Reading Between Classes.
- Put your Blog name and URL in the Linky thing.
- Grab the button up there and place it in a post, this post is for people to find a place to say hi in your comments.
- Follow, follow, follow as many as you can, as many as you want, or just follow a few. The whole point is to make new friends and find new blogs. Also, don't just follow, comment and say hi. Another blogger might not know you are a new follower if you don't say "Hi".
- If someone comments and says they are following you, be a dear and follow back. Spread the love . . . and the followers.
- If you want to show the link list, just follow the link below the entries and copy and paste it within your post!
- If you're new to the Follow Friday Hop, comment and let me know, so I can stop by and check out your blog!
As usual, I'm a little odd. I more or less have three "piles" of books waiting to be read. My general pile consists of the enormous number of unread books that I own, a mountain that numbers a couple thousand titles. I have a pile of books that I want to get to in the next few months, and then I have my "real" reading pile - the eight or nine books, arranged more or less in the order that I plan on reading them, a plan that is usually dictated by considerations like: "Did I accept this book with a promise to read and review it?" or, "Is this the next Hugo award winning book in my list of Hugo winners to read?" and so on. This means that I usually choose the books I am reading at least a couple weeks before I actually read them and for fairly non-mood specific reasons. As a result, my mood at the time I am reading has little impact on my reading, and my mood at the time I am picking books out of the big pile to go in the little pile is of limited importance as well.
Go to previous Follow Friday: "68 Publishers" Was an Outlet for Exiled Czech and Slovak Authors
Go to subsequent Follow Friday: Psalms 90:10 Measures a Man's Life as Seventy Years
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Thursday, August 2, 2012
Review - Spear of Seth by René Daniel
Short review: Alex is pulled into an intrigue over the discovery of a mysterious underworld beneath Egypt where godlike tyrants, giant insects, and a vicious rival repeatedly try to kill him.
Haiku
Magical poison
A quest to find lost Egypt
Monsters and danger
Disclosure: I received this book as an Advance Review Copy. Some people think this may bias a reviewer so I am making sure to put this information up front. I don't think it biases my reviews, but I'll let others be the judge of that.
Full review: If one wants to read a yarn about brave adventurers exploring lost civilizations, one could open Arthur Conan Doyle's The Lost World, or H. Rider Haggard's King Solomon's Mines, or pretty much anything by Edgar Rice Burroughs. Or one could pick up Spear of Seth and get much the same experience with some Dan Brown-style fictitious history and conspiracies thrown in for good measure. The end result is a fun adventure with a pair of likable protagonists, some reasonably interesting adversaries, and a cast of memorable supporting characters.
Spear of Seth is billed as book one of the "Tales of Van Senmut College", so presumably the denizens of the fictional Pennsylvania college established in this book will be a continuing feature of the series. The two protagonists found in this volume, the somewhat indifferent pre-med student Alex Kyan, and the overachieving daughter of the Dean of the school Heather Van Senmut, are both entertaining and likable characters in their own unique ways. As the first book in the series, it seems that this may be something of a paranormal version of the Hardy Boys or Nancy Drew stories, with youthful protagonists solving mysteries and foiling villains. And although they don't actually form a romantic connection in this volume, the potential is clearly established, providing for an ongoing Moonlighting type of relationship that will provide Mr. Daniel with plenty of material for story lines. With these characters plus the supporting cast of professors from the College, the potential for this series seems to be reasonably strong.
Of course, talking about potential of a series is not particularly interesting unless the first book is good. Fortunately, this book is pretty good. After a slow start, the book settles into a comfortable rhythm switching viewpoint characters in each chapter alternating between Alex and Heather. By alternating the viewpoint character, the story is able to show both sides of the relationship between the two as they move from mutual animosity to grudging respect to a congenial friendship. But this relationship unfolds against the backdrop of a main story that involves poisoning, a secret magical history of the world, and a journey to Egypt to uncover a lost temple. In other words, a tale worthy of an adventure featuring Indiana Jones. Except in this story the main characters are a pair of college students, a chemistry professor, an Egyptian archaeologist, and an eccentric ex-professor obsessed with the study of magic. Aligned against them are a wealthy industrialist, his college age son, and various corrupt members of the local government in Egypt. The basic thrust of the story is that Heather's father is poisoned and the secret to curing him may be found among the ruins of an ancient temple on Elephantine Island on the Nile.
Once the story gets going, we follow our heroes as they adventure together, are separated, and eventually reunited. Along the way, they discover a hidden Egyptian underworld beneath the feet of the denizens of the modern nation. While journeying along the river that binds together the regions of this strange twilight realm the protagonist has a entertaining series of adventures involving hostile natives and baleful monsters while sparring with a villainous adversary who also descended to the underworld hunt for the mysterious Spear of Seth. This underworld adventure is where the "fantasy" element of the story shows up, but this element is mostly muted. Anyone hoping for Egyptian sorcerers turning staves into snakes will be disappointed, but over sized insects, spiders, and frogs are definitely on the literary menu. As is a bizarre civilization ruled over by apparently absurdly long-lived beings, and a final obstacle that may or may not be Earthly in origin. Although the path the book takes is more or less dictated by the ancient Egyptian river of the afterlife, the story does have something of a video game feel, with the protagonist having to navigate through one area before proceeding through the river gate to the next. Despite this quirk, the story still holds together, even though the denouement seems very much like a video game "boss fight".
Daniel breaks up the action underground by alternating with a parallel story taking place in the above ground modern world, which allows him to have several cliffhanger chapter endings throughout the story as he switches back and forth between the two story lines. In some ways the above-ground story line is more enjoyable because it is not as predictable and seems less like a railroad pushing the characters forward. The parallel story also helps fill in all of the background information that makes the underground story interesting, and also helps lay the groundwork for the ongoing series. The parallel story also features a wider variety of interesting characters than the underground story, so much so that when the two story lines finally meet up late in the book, it is somewhat disappointing when all of the action moves underground.
On the whole Spear of Seth is a fun book and a worthy descendant of the "lost world" and mystery books that clearly inspired it. Despite a somewhat predictable ending, the story holds up well enough and the characters are engaging and enjoyable to read about. The simple question to ask when reading the first novel in a planned series is this: would I want to read more books in this series? The answer to that question when it comes to Spear of Seth is yes.
René Daniel Book Reviews A-Z Home
Tuesday, July 31, 2012
Review - Shadows of the Past by E.A. Jensen
Short review: Vampires and "ware"-animals are the good guys, the Church of Light are the villains. Kirsa is a child prodigy with issues and must solve a series of murders of paranormal creatures in her hometown.
Haiku
Vampire detectives
Paranormal mystery
Awful editing
Disclosure: I received this book as a Review Copy. Some people think this may bias a reviewer so I am making sure to put this information up front. I don't think it biases my reviews, but I'll let others be the judge of that.
Full review: Shadows of the Past is a book that should have been much better than it actually is. The basic story - a paranormal mystery-romance with a modest amount of originality - is not too bad. But the simple truth is that this book needed serious rewriting and editing. Because of this, reading Shadows of the Past is a depressingly frustrating experience, not because of all the weak elements, but because those weak elements hinder and obscure what could have been an enjoyable book.
The fact that a book is self-published, as Shadows of the Past is, is not in itself a mark of quality or lack thereof. There is no particular reason for a self-published book to be good, or bad, or have any other particular characteristic. But the one thread that seems to tie most self-published books together is a lack of editing. And Shadows of the Past suffers terribly from this affliction. One thing that self-published authors need to realize is that a computer spell checker is no substitute for a good copy editor, or any copy editor at all. Shadows of the Past is riddled with the kinds of errors that show up when an author tries to use a spell checking program to catch the sorts of problems that a copy editor would find: homonyms used instead of the correct word, verbs conjugated incorrectly, words missing from sentences, and so on. These types of mistakes in the text won't be caught by a spell-checker, because the individual words in the book are spelled correctly. But when they are strung together, they add up to a mess.
But the problems with Shadows of the Past run deeper than simple grammatical mistakes and spelling miscues. The book itself needed an editor to go through it and suggest serious revisions to many parts of the story. The most consistent problem with the book is overly abrupt transitions as the story switches from scene to scene. For example, the action might switch from a couple of characters having a conversation in New Jersey to a a completely different character doing something completely unrelated in Germany with nothing more than a paragraph break separating the two scenes. These sorts of jolting transitions pull the reader out of the story as he has to stop and figure out what is going on, and whether what they are now reading has anything to do with what they read just a few sentences before. In many ways, the published version of Shadows of the Past reads like the first draft of a book that needed a couple of redrafts and at least one or two readings by a good editor. As it is, the book feels like a criminal waste of good potential.
I remember going to see A.S. King speak when she was in Alexandria. She said that she had written seven complete novels before Dust of 100 Dogs (read review) was published. She also said that despite the disappointment she felt at the time when those novels were not selected for publication, the time and effort spent writing those novels was a necessary learning experience for her on her journey to becoming someone who could turn out polished publishable material. In a way, the danger of self-publishing is that authors whose material is not yet ready for the public eye will bypass this sort of learning process and have works in print that will mark their career permanently, or even derail their career. To a certain extent, I think that Shadows of the Past may be a novel that E.A. Jensen will come to regret publishing in its current form. Not because the book is bad - even though it is - but because with more work, the book clearly could have been so much better.
E.A. Jensen Book Reviews A-Z Home
Monday, July 30, 2012
Musical Monday - A Friend Is a Friend by Pete Townshend
I spent my fourth and fifth grade years living in Tanzania attending the International School of Tanzania, a school run by British educators, originally intended to educate the children of British expatriates living there. By the late 1970s, when I was a student, it was open to pretty much anyone living in or near Dar es Salaam who could afford to send their children there, but it retained its distinctly British flavor. The influence of my tenure at the school is probably why I am always trying to stick a "u" into words like armor and flavor.
One of the things that I remember from my two years there was the practice of teachers reading aloud to the class. I only vaguely remember most of the books that we were read: one was, I think, one of Isaac Asimov's Norby the Robot stories, while another was about a boy living on a raft that floated on an underground river until he found a way to the surface and saw the sun. But one story that I remember clearly was The Iron Man by Ted Hughes, read by Mr. Bartlett when I was in fifth grade. I didn't much like Mr. Bartlett - he was the sort of person who I suspect was teaching in a small school in a third world country because he was too lousy a teacher and disagreeable a man to be able to secure employment anywhere else - but he did introduce me to this story, and for that at least I am grateful.
Years later, Pete Townshend, who was a friend of Ted Hughes, made a rock opera out of the story. Like most art projects, the resulting album was mostly ignored by the press, so I only found out about it via a fraternity brother of mine who was a huge fan of the Who and had acquired a copy. As soon as I realized that the musical was about the book, I had to get a copy of the recording for myself. I listen to the album regularly. No one I know understands why I love it. They usually like The Iron Giant, which is loosely based on the story, but Townshend's treatment of the material just seems to mystify most people I am acquainted with. I don't mind. I'll keep listening to The Iron Man and imagining that the whole thing was made just for me.
Previous Musical Monday: Lonely Like Me by The Doubleclicks
Subsequent Musical Monday: Storms by Fleetwood Mac
Pete Townshend Musical Monday Home
Sunday, July 29, 2012
Book Blogger Hop July 20th - July 26th: Five Different Superstring Theories Posit Ten Spacetime Dimensions

Jen at Crazy for Books has restarted her weekly Book Blogger Hop to help book bloggers connect with one another. The only requirements to participate in the Hop are to write and link a post answering the weekly question and then visit other blogs that are also participating to see if you like their blog and would like to follow them. A complete explanation of the history and the rules of the Hop can be found here.
This week Jen asks: What’s the ONE super-hyped book you’ll NEVER read?
I always hesitate to say "never" about anything. I once said I'd never read a Danielle Steele novel, but then I did. But I can state that it is highly unlikely that I will ever read Fifty Shades of Grey or either of the two novels that follow it.
Go to previous Book Blogger Hop: The Nine Muses Are Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania
Go to subsequent Book Blogger Hop: Nigel Tufnel's Amplifiers Go to ELEVEN!
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