Comments: As has been so often the case in the last couple of years, the Hugo finalists are dominated by female and minority authors. I don't think this is a mistake and I think it is a development that is well past due.
I have noted elsewhere that historically the Hugos have been biased against women (a statement to which I will add that they seem to have been even more biased against minority authors), but that on those relatively infrequent occasions when women were elevated to a finalist slot, they had a remarkably good winning percentage. In short, it seems to have been very difficult for a woman to get on the final ballot, but once there, a work by a woman seems to have had a better than average chance of winning.
There reason, I believe, is because the women and minority authors who did get nominated had produced work that was of such superior quality that they simply could not be ignored, while white male authors were benefiting from the general institutionalized racism and sexism of society and were able to get nominated with merely good pieces of work. What this means is that women and minorities have been continually upping their game over the years while many white male authors seem to have become complacent. Their work was good enough to get nominated. Why should they strive for better?
And now that the gates have been opened, there is a tidal wave of great work by women and minority authors flooding through, which makes the award better, to our benefit. It was always there, but now the doors to the Hugos have been opened, at least more than they were before.
Best Novel
A Memory Called Empire by Arkady Martine
Finalists:
The City in the Middle of the Night by Charlie Jane Anders
Gideon the Ninth by Tamsyn Muir
The Light Brigade by Kameron Hurley
Middlegame by Seanan McGuire
The Ten Thousand Doors of January by Alix E. Harrow
Best Novella
This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
Finalists:
Anxiety Is the Dizziness of Freedom by Ted Chiang
The Deep by Rivers Solomon, with Daveed Diggs, William Hutson, and Jonathan Snipes
The Haunting of Tram Car 015 by P. Djèlí ClarkIn an Absent Dream by Seanan McGuire
This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
To Be Taught, If Fortunate by Becky Chambers
Best Novelette
Emergency Skin by N.K. Jemisin
Finalists:
The Archronology of Love by Caroline M. Yoachim
Away With the Wolves by Sarah Gailey
The Blur in the Corner of Your Eye by Sarah Pinsker
For He Can Creep by Siobhan Carroll
Omphalos by Ted Chiang
Best Short Story
As the Last I May Know by S.L. Huang
Finalists:
And Now His Lordship Is Laughing by Shiv Ramdas
Blood Is Another Word for Hunger by Rivers Solomon
A Catalog of Storms by Fran Wilde
Do Not Look Back, My Lion by Alix E. Harrow
Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island by Nibedita Sen
Best Related Work
2019 John W. Campbell Award Acceptance Speech by Jeannette Ng
Finalists:
Becoming Superman: My Journey from Poverty to Hollywood by J. Michael Straczynski
Joanna Russ by Gwyneth Jones
The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara
The Pleasant Profession of Robert A. Heinlein by Farah Mendlesohn
Worlds of Ursula K. Le Guin
Best Graphic Story
LaGuardia written by Nnedi Okorafor, art by Tana Ford, colors by James Devlin
Finalists:
Die, Volume 1: Fantasy Heartbreaker by Kieron Gillen and Stephanie Hans, letters by Clayton Cowles
Monstress, Volume 4: The Chosen written by Marjorie Liu, art by Sana TakedaMooncakes by Wendy Xu and Suzanne Walker, letters by Joamette Gil
Paper Girls, Volume 6 written by Brian K. Vaughan, drawn by Cliff Chiang, colors by Matt Wilson, letters by Jared K. Fletcher
The Wicked + The Divine, Volume 9: Okay by Kieron Gillen and Jamie McKelvie, colors by Matt Wilson, letters by Clayton Cowles
Best Dramatic Presentation: Long Form
Good Omens
Finalists:
Avengers: Endgame
Captain Marvel
Russian Doll (Season One)
Star Wars: The Rise of Skywalker
Us
Best Dramatic Presentation: Short Form
The Good Place: The Answer
Finalists:
Doctor Who: Resolution
The Expanse: Cibola Burn
The Mandalorian: Redemption
Watchmen: A God Walks into a Bar
Watchmen: This Extraordinary Being
Best Professional Editor: Short Form
Ellen Datlow
Finalists:
Neil Clarke
C.C. Finlay
Jonathan Strahan
Lynne M. Thomas and Michael Damian Thomas
Sheila Williams
Best Professional Editor: Long Form
Navah Wolfe
Finalists:
Sheila E. Gilbert
Brit Hvide
Diana M. Pho
Devi Pillai
Miriam Weinberg
Best Professional Artist
John Picacio
Finalists:
Tommy Arnold
Rovina Cai
Galen Dara
Yuko Shimizu
Alyssa Winans
Best Semi-Prozine
Uncanny Magazine editors-in-chief Lynne M. Thomas and Michael Damian Thomas, nonfiction/managing editor Michi Trota, managing editor Chimedum Ohaegbu, podcast producers Erika Ensign and Steven Schapansky
Finalists:
Beneath Ceaseless Skies edited by Scott H. Andrews
Escape Pod edited by Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, audio producers Adam Pracht and Summer Brooks, hosts Tina Connolly and Alasdair Stuart
Fireside Magazine editor Julia Rios, managing editor Elsa Sjunneson, copyeditor Chelle Parker, social coordinator Meg Frank, publisher and art director Pablo Defendini, founding editor Brian White
FIYAH Magazine of Black Speculative Fiction executive editor Troy L. Wiggins, edited by Eboni Dunbar, Brent Lambert, L.D. Lewis, Danny Lore, Brandon O’Brien and Kaleb Russell
Strange Horizons edited by Vanessa Rose Phin, Catherine Krahe, AJ Odasso, Dan Hartland, Joyce Chng, Dante Luiz and the Strange Horizons staff
Best Fanzine
The Book Smugglers edited by Ana Grilo and Thea James
Finalists:
Galactic Journey founded by Gideon Marcus, edited by Janice Marcus, senior writers Rosemary Benton, Lorelei Marcus, and Victoria Silverwolf
Journey Planet edited by James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon, and Steven H Silver
nerds of a feather, flock together edited by Adri Joy, Joe Sherry, Vance Kotrla, and The G
Quick Sip Reviews edited by Charles PayseurThe Rec Center edited by Elizabeth Minkel and Gavia Baker-Whitelaw
Best Fan Writer
Bogi Takács
Finalists:
Cora Buhlert
James Davis Nicoll
Alasdair Stuart
Paul Weimer
Adam Whitehead
Best Fan Artist
Elise Matthesen
Finalists:
Iain Clark
Sara FelixGrace P. Fong
Meg Frank
Ariela Housman
Best Fancast
Our Opinions Are Correct presented by Annalee Newitz and Charlie Jane Anders
Finalists:
Be The Serpent presented by Alexandra Rowland, Freya Marske and Jennifer Mace
Claire Rousseau’s YouTube Channel, produced and presented by Claire Rousseau
The Coode Street Podcast presented by Jonathan Strahan and Gary K. Wolfe
Galactic Suburbia presented by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, producer Andrew Finch
The Skiffy and Fanty Show presented by Jen Zink and Shaun Duke
Best Series
Finalists:
InCryptid by Seanan McGuire
Luna by Ian McDonald
Planetfall series by Emma Newman
Winternight Trilogy by Katherine Arden
The Wormwood Trilogy by Tade Thompson
Astounding Award for Best New Writer
R.F. Kuang
Finalists:
Sam Hawke
Jenn Lyons
Nibedita Sen
Tasha Suri
Emily Tesh
Lodestar Award for Best Young Adult Book
Catfishing on CatNet by Naomi Kritzer
Finalists:
Deeplight by Frances Hardinge
Dragon Pearl by Yoon Ha Lee
Minor Mage by T. Kingfisher
Riverland by Fran Wilde
The Wicked King by Holly Black
What Are the Hugo Awards?
Go to previous year's nominees: 2019
Go to subsequent year's nominees: 2021
2020 Hugo Award Longlist Book Award Reviews Home
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