Saturday, October 17, 2009

2009 WSFA Small Press Award Nominees

Location: CapClave in Rockville, Maryland.

Comments: Perhaps as a result of the anonymous voting process, the WSFA Small Press Award has an established track record of diversity among its nominees. It seems that once one strips away the identities of the authors and judges the works solely on their own merits, the very white and very male and very American state of the genre faces away, and the cast becomes far more colorful, far less masculine, and far less provincial.

In 2009, out of seven stories, three were written by women. One nominated story was by an Israeli-born author, another by a Nigerian-American, still another by an Australian writer. One story wasn't even originally printed in English. For those people who claim that they only look for good stories and don't care about the identities of the authors of those stories, and yet end up reading little other than works authored by white American men, the make-up of this blindly chosen list should be something of an eye-opener. Such individuals might want to consider that it could be something other than the quality of the story that is driving their selections.

WSFA Small Press Award

Winner:
The Absence of Stars: Part 1 by Greg Siewert

Other Nominees:
Drinking Problem by K.D. Wentworth
Hard Rain at the Fortean Café by Lavie Tidhar
His Last Arrow by Christopher Sequeira
Silent as Dust by James Maxey
Spider the Artist by Nnedi Okorafor-Mbachu
The Toy Car by Luisa Maria Garcia Velasco, (translated from Spanish by Ian Watson)

Go to previous year's nominees: 2008
Go to subsequent year's nominees: 2010

Book Award Reviews     Home

Sunday, August 9, 2009

2009 Hugo Award Finalists

Location: Anticipation in Montreal, Quebec.

Comments: In 2009 Neil Gaiman continued his dominance of the Hugo Awards by winning the award for Best Novel for the second time, taking home the rocket statue for The Graveyard Book. At this point, it seems like anyone who is nominated for a Hugo against a work by Gaiman, a work related to something by Gaiman, or a work that Gaiman may have once approvingly thought about, should just start practicing their concession smile. The same could probably be said for Ted Chiang, but he tends to write more short fiction and not things like novels, novels that are adapted into movies, and episodes of the Doctor Who television series, so he isn't as widely known as Gaiman.

And while I'm mentioning the Doctor Who television series, I think I would be remiss if I pointed out that it didn't win the Hugo Award for Best Short Form Dramatic Presentation, which instead went to the brilliant Doctor Horrible's Sing-Along Blog. This is interesting, because it shows that an internet based project will be taken seriously by the Hugo voters. That the Doctor Who show not winning is notable is a testament to how dominant that show has become. I have to wonder, though, if the combined dominance of Neil Gaiman and Doctor Who is a passing thing, or an indication that the tastes of science fiction fans who vote for the Hugo Awards is narrowing?

Finally, this year saw the introduction of a new category - an award for Best Graphic Story, which was promptly won by Phil and Kaja Foglio's Girl Genius story Agatha Heterodyne and the Chapel of Bones. Given the history of graphic novels, this award was long overdue. On the other hand, given the greatness of the Sandman series, if this award had been around for longer, it probably just would have given Neil Gaiman more Hugos to put on his trophy shelf.

Best Novel

Winner:
The Graveyard Book by Neil Gaiman

Other Finalists:
Anathem by Neal Stephenson
Little Brother by Cory Doctorow
Saturn's Children by Charles Stross
Zoe's Tale by John Scalzi

Best Novella

Winner:
The Erdmann Nexus by Nancy Kress

Other Finalists:
The Political Prisoner by Charles Coleman Finlay
The Tear by Ian McDonald
True Names by Benjamin Rosenbaum and Cory Doctorow
Truth by Robert Reed

Best Novelette

Winner:
Shoggoths in Bloom by Elizabeth Bear

Other Finalists:
Alastair Baffle's Emporium of Wonders by Mike Resnick
The Gambler by Paolo Bacigalupi
Pride and Prometheus by John Kessel
The Ray-Gun: A Love Story by James Alan Gardner

Best Short Story

Winner:
Exhalation by Ted Chiang

Other Finalists:
26 Monkeys, Also the Abyss by Kij Johnson
Article of Faith by Mike Resnick
Evil Robot Monkey by Mary Robinette Kowal
From Babel's Fall'n Glory We Fled by Michael Swanwick

Best Nonfiction, Related, or Reference Work

Winner:
Your Hate Mail Will Be Graded: A Decade of Whatever, 1998-2008 by John Scalzi

Other Finalists:
Rhetorics of Fantasy by Farah Mendlesohn
Spectrum 15: The Best in Contemporary Fantastic Art edited by Arnie Fenner and Cathy Fenner
The Vorkosigan Companion: The Universe of Lois McMaster Bujold by Lillian Stewart Carl and John Helfers
What It Is We Do When We Read Science Fiction by Paul Kincaid

Best Graphic Story

Winner:
Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones by Phil Foglio, and Kaja Foglio

Other Finalists:
The Dresden Files: Welcome to the Jungle by Jim Butcher, illustrated by Ardian Syaf
Fables: War and Pieces by Bill Willingham, art by Steve Leialoha and Andrew Pepoy
Schlock Mercenary: The Body Politic by Howard Tayler
Serenity: Better Days by Brett Matthews and Joss Weedon, art by Will Conrad
Y: The Last Man, Volume 10: Whys and Wherefores by Brian K. Vaughan

Best Dramatic Presentation: Long Form

Winner:
WALL-E

Other Finalists:
The Dark Knight
Hellboy II: The Golden Army
Iron Man
METAtropolis

Best Dramatic Presentation: Short Form

Winner:
Doctor Horrible's Sing-Along Blog

Other Finalists:
Battlestar Galactica: Revelations
Doctor Who: Turn Left
Doctor Who: Silence in the Library and Forest of the Dead
Lost: The Constant

Best Professional Editor: Short Form

Winner:
Ellen Datlow

Other Finalists:
Stanley Schmidt
Jonathan Strahan
Gordon Van Gelder
Sheila Williams

Best Professional Editor: Long Form

Winner;
David G. Hartwell

Other Finalists:
Lou Anders
Ginjer Buchanan
Patrick Nielsen Hayden
Beth Meacham

Best Professional Artist

Winner:
Donato Giancola

Other Finalists:
Daniel Dos Santos
Bob Eggleton
John Picacio
Shaun Tan

Best Semi-Prozine

Winner:
Weird Tales edited by Stephen H. Segal and Ann VanderMeer

Other Finalists:
Clarkesworld Magazine edited by Neil Clarke, Nick Mamatas, and Sean Wallace
Interzone edited by Andy Cox
Locus edited by Charles N. Brown, Kirsten Gong-Wong, and Liza Groen Trombi
The New York Review of Science Fiction edited by Kathryn Cramer, Kristine Dikeman, David G. Hartwell, and Kevin J. Maroney

Best Fanzine

Winner:
Electric Velocipede edited by John Klima

Other Finalists:
Argentus edited by Steven H Silver
Banana Wings edited by Claire Brialey and Mark Plummer
Challenger edited by Guy H. Lillian III
The Drink Tank edited by Chris Garcia
File 770 edited by Mike Glyer

Best Fan Writer

Winner:
Cheryl Morgan

Other Finalists:
Chris Garcia
John Hertz
Dave Langford
Steven H Silver

Best Fan Artist

Winner:

Other Finalists:
Alan F. Beck
Brad W. Foster
Sue Mason
Taral Wayne

John W. Campbell Award for Best New Writer

Winner:
David Anthony Durham

Other Finalists:
Aliette de Bodard
Felix Gilman
Tony Pi
Gord Sellar

What Are the Hugo Awards?

Go to previous year's finalists: 2008
Go to subsequent year's finalists: 2010

2009 Hugo Longlist     Book Award Reviews     Home

Monday, July 20, 2009

2009 Mythopoeic Award Nominees

Location: Mythcon XL in Los Angeles, California.

Comments: The roster of authors with works nominated for the 2009 Mythopoeic Awards include two amazing female authors - Patricia A. McKillip and Ursula K. Le Guin. Both women have had prolific careers that have combined substantial longevity and consistently high quality writing, resulting in nominations for this award and others across multiple decades. In a way, it was the writing of these two women that shaped me as a fantasy fiction fan, as I read several of their works when I was growing up, and because of their continued production of excellent fantasy fiction, they continue to shape my as a fantasy fiction fan.

Best Adult Fantasy Literature

Winner:
Flesh and Spirit and Breath and Bone by Carol Berg

Other Nominees:
The Bell at Sealey Head by Patricia A. McKillip
An Evil Guest by Gene Wolfe
Lavinia by Ursula K. Le Guin
Pandemonium by Daryl Gregory

Best Children's Fantasy Literature

Winner:
Graceling by Kristin Cashore

Other Nominees:
The Graveyard Book by Neil Gaiman
House of Many Ways by Diana Wynne Jones
Nation by Terry Pratchett
Savvy by Ingrid Law

Scholarship Award in Inklings Studies

Winner:
The History of the Hobbit (Part One, Mr Baggins and Part Two, Return to Bag-End) by John D. Rateliff

Other Nominees:
Charles Williams: Alchemy and Imagination by Gavin Ashenden
The Evolution of Tolkien's Mythology: A Study of the History of Middle-Earth by Elizabeth A. Wittingham
Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis by Michael Ward
Tolkien on Fairy-Stories: Expanded Edition, with Commentary and Notes by Verlyn Flieger and Douglas A. Anderson

Myth and Fantasy Studies

Winner:
Four British Fantasists: Place and Culture in the Children's Fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper by Charles Butler

Other Nominees:
Folklore and the Fantastic in Nineteenth-Century British Fiction by Jason Marc Harris
One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott Card by Marek Oziewicz
Oz in Perspective: Magic and Myth in the Frank L. Baum Books by Richard Carl Tuerk
Rhetorics of Fantasy by Farah Mendlesohn

Go to previous year's nominees: 2008
Go to subsequent year's nominees: 2010

Book Award Reviews     Home

Sunday, July 12, 2009

2009 Campbell Award Nominees

Location: Campbell Conference Awards Banquet at the University of Kansas in Lawrence, Kansas.

Comments: As glad as I am that Cory Doctorow won a well-deserved Campbell Award for his novel Little Brother, the 2009 slate of nominees seems to me to have been a distinct step backwards. In the couple of years leading up to 2009 women and minority writers were distinctly underrepresented in the lists of nominees for this award, but at least they had some representation. In 2009, there was a distinct lack of books penned by female or minority authors on the ballot. In effect, the judges seem to be saying there were no books by female authors or non-white authors that were even worthy of consideration for the award, which seems to be both an amazing and completely unbelievable statement.

The other striking thing about the 2009 Campbell Award ballot is the extremely truncated list of finalists included on the ballot. Since the Campbell Awards began reporting the list of non-placing finalists, most years had a roster of nine or ten "also-rans", but for some reason the 2009 list only included three. There seems to be no reason for such a short list - just as many good science fiction novels seem to have been published in 2009 as in any other year. As with so many of the odd and inexplicable decisions made by the Campbell Award judges, this one seems to be a complete mystery.

Best Novel

Winner:
(tie) Little Brother by Cory Doctorow
(tie) Song of Time by Ian R. MacLeod

Third Place:
The Philosopher's Apprentice by James Morrow

Finalists:
Anathem by Neal Stephenson
City at the End of Time by Greg Bear
Valley of Day-Glo by Nick Di Chario

Go to previous year's nominees: 2008
Go to subsequent year's nominees: 2010

Book Award Reviews     Home

Saturday, June 27, 2009

2009 Locus Award Nominees

Location: Seattle, Washington.

Comments: Once again the Best Art Book category was eliminated as an independent entity and folded into the Best Nonfiction, Related, or Reference Book category. Once again this new supercategory seems to make little sense, throwing together wildly different works and expecting the voters to be able to meaningfully compare them one against another. Once again, this merger of categories makes little sense. Once again, I have no idea what the rationale for this merger was, or what it was intended to accomplish.

Best Science Fiction Novel
Winner:
1.   Anathem by Neal Stephenson

Other Nominees:
2.   Matter by Iain M. Banks
3.   City at the End of Time by Greg Bear
4.   Saturn's Children by Charles Stross
5.   Marsbound by Joe Haldeman
6.   Half a Crown by Jo Walton
7.   Incandescence by Greg Egan
8.   Rolling Thunder by John Varley
9.   Implied Spaces by Walter Jon Williams
10. House of Suns by Alastair Reynolds
11. The Quiet War by Paul J. McAuley
12. The January Dancer by Michael F. Flynn
13. Escapement by Jay Lake
14. Pirate Sun by Karl Schroeder
15. Flood by Stephen Baxter
16. Weaver by Stephen Baxter
17. The Night Sessions by Ken MacLeod
18. Song of Time by Ian R. MacLeod
19. The Company by K.J. Parker

Best Fantasy Novel
Winner:
1.   Lavinia by Ursula K. Le Guin

Other Nominees:
2.   The Dragons of Babel by Michael Swanwick
3.   An Evil Guest by Gene Wolfe
4.   The Shadow Year by Jeffrey Ford
5.   The Bell at Sealey Head by Patricia A. McKillip
6.   An Autumn War by Daniel Abraham
7.   The Knights of the Cornerstone by James P. Blaylock
8.   The Hidden World by Paul Park
9.   Shadowbridge/Lord Tophet by Gregory Frost
10. The Alchemy of Stone by Ekaterina Sedia
11. The Ghost in Love by Jonathan Carroll
12. The Enchantress of Florence by Salman Rushdie
13. The Love We Share Without Knowing by Christopher Barzak
14. Memoirs of a Master Forger by William Heaney (aka How to Make Friends with Demons by Graham Joyce)
15. The Engine's Child by Holly Phillips
16. Varanger by Cecelia Holland

Best Young Adult Book
Winner:
1.   The Graveyard Book by Neil Gaiman

Other Nominees:
2.   Little Brother by Cory Doctorow
3.   Zoe's Tale by John Scalzi
4.   Nation by Terry Pratchett
5.   Tender Morsels by Margo Lanagan
6.   How to Ditch Your Fairy by Justine Larbalestier
7.   Chalice by Robin McKinley
8.   Flora's Dare by Ysabeau S. Wilce
9.   The Hunger Games by Suzanne Collins
10. City of Ashes by Cassandra Clare
11. The Knife of Never Letting Go by Patrick Ness
12. Eon: Dragoneye Reborn (aka The Two Pearls of Wisdom) by Alison Goodman
13. Ink Exchange by Melissa Marr
14. Monster Blood Tattoo, Book Two: Lamplighter by D.M. Cornish

Best First Novel
Winner:
1.    Singularity's Ring by Paul Melko

Other Nominees:
2.   Pandemonium by Daryl Gregory
3.   Thunderer by Felix Gilman
4.   Black Ships by Jo Graham
5.   The Gone-Away World by Nick Harkaway
6.   Graceling by Kristin Cashore
7.   The Painted Man (aka The Warded Man) by Peter V. Brett
8.   Last Dragon by J.M. McDermott
9.   The Cabinet of Wonders by Marie Rutkoski
10. The Red Wolf Conspiracy by Robert V.S. Redick
11. Alive in Necropolis by Doug Dorst
12. The Long Look by Richard Parks
13. The Ninth Circle by Alex Bell

Best Novella
Winner:
1.   Pretty Monsters by Kelly Link

Other Nominees:
2.   The Erdmann Nexus by Nancy Kress
3.   The Tear by Ian McDonald
4.   Once Upon a Time in the North by Philip Pullman
5.   True Names by Benjamin Rosenbaum and Cory Doctorow
6.   The Word of God: Or, Holy Writ Rewritten by Thomas M. Disch
7.   The Philosopher's Stone by Brian Stableford
8.   Or Else My Lady Keeps the Key by Kage Baker
9.   Truth by Robert Reed
10. The Surfer by Kelly Link
11. The Hob Carpet by Ian R. MacLeod
12. The Man with the Golden Balloon by Robert Reed
13. The Political Prisoner by Charles Coleman Finlay
14. Mystery Hill by Alex Irvine
15. Arkfall by Carolyn Ives Gilman
16. Tenbrook of Mars by Dean McLaughlin
17. The Overseer by Albert E. Cowdrey

Best Novelette
Winner:
1.   Pump Six by Paolo Bacigalupi

Other Nominees:
2.   Shoggoths in Bloom by Elizabeth Bear
3.   The Things that Make Me Weak and Strange Get Engineered Away by Cory Doctorow
4.   The Ice War by Stephen Baxter
5.   Pride and Prometheus by John Kessel
6.   The Rabbi's Hobby by Peter S. Beagle
7.   Crystal Nights by Greg Egan
8.   The Gambler by Paolo Bacigalupi
9.   Turing's Apples by Stephen Baxter
10. Five Thrillers by Robert Reed
11. Uncle Chaim and Aunt Rifke and the Angel by Peter S. Beagle
12. The Hour of Babel by Tim Powers
13. The Star Surgeon's Apprentice by Alastair Reynolds
14. Lost Continent by Greg Egan
15. If Angels Fight by Richard Bowes
16. Days of Wonder by Geoff Ryman
17. Conversation Hearts by John Crowley
18. The Ray-Gun: A Love Story by James Alan Gardner
19. The Tale of Junko and Sayuri by Peter S. Beagle
20. Fury by Alastair Reynolds
21. Memory Dog by Kathleen Ann Goonan
22. Radio Station St. Jack by Neal Barrett, Jr.
23. Machine Maid by Margo Lanagan
24. Special Economics by Maureen F. McHugh
25. The Dust Assassin by Ian McDonald
26. An Eligible Boy by Ian McDonald
27. An Alien Heresy by S.P. Somtow
28. Beyond the Sea Gate of the Scholar-Pirates of Sarsköe by Garth Nix
29. Following the Pharmers by Brian Stableford

Best Short Story
Winner:
1.   Exhalation by Ted Chiang

Other Nominees:
2.   After the Coup by John Scalzi
3.   Boojim by Elizabeth Bear and Sarah Monette
4.   The Kindness of Strangers by Nancy Kress
5.   King Pelles the Sure by Peter S. Beagle
6.   From Babel's Fall'n Glory We Fled by Michael Swanwick
7.   Private Eye by Terry Bisson
8.   26 Monkeys, Also the Abyss by Kij Johnson
9.   The Scarecrow's Boy by Michael Swanwick
10. Evil Robot Monkey by Mary Robinette Kowal
11. A Buyer's Guide to Maps of Antarctica by Catherynne M. Valente
12. The Thought War by Paul J. McAuley
13. The Goosle by Margo Lanagan
14. Fixing Hanover by Jeff VanderMeer
15. The Sky that Wraps the World Round, Past the Blue and Into the Black by Jay Lake
16. Ass-Hat Magic Spider by Scott Westerfeld
17. The Dream of Reason by Jeffrey Ford
18. Invisible Empire of Ascending Light by Ken Scholes
19. The Film-makers of Mars by Geoff Ryman
20. The House Left Empty by Robert Reed
21. Reader's Guide by Lisa Goldstein
22. Fifty Dinosaurs by Robert Reed
23. Goblin Music by Joan Aiken
24. The Seventh Expression of the Robot General by Jeffrey Ford
25. Snatch Me Another by Mercurio D. Rivera

Best Collection
Winner:
1.   Pump Six and Other Stories by Paolo Bacigalupi

Other Nominees:
2.   The Best of Michael Swanwick by Michael Swanwick
3.   Pretty Monsters by Kelly Link
4.   The Drowned Life by Jeffrey Ford
5.   The Best of Lucius Shepard by Lucius Shepard
6.   Dark Integers and Other Stories by Greg Egan
7.   H.P. Lovecraft: The Fiction by H.P. Lovecraft
8.   Nano Comes to Clifford Falls and Other Stories by Nancy Kress
9.   Other Worlds, Better Lives: A Howard Waldrop Reader by Howard Waldrop
10. The Wall of America by Thomas M. Disch
11. The Baum Plan for Financial Independence and Other Stories by John Kessel
12. The Adventures of Langdon St. Ives by James P. Blaylock
13. The Serial Garden: The Complete Armitage Family Stories by Joan Aiken
14. Long Walks, Last Flights, and Other Strange Journeys by Ken Scholes
15. Works of Art by James Blish
16. Mr. Gaunt and Other Uneasy Encounters by John Langan
17. The Wreck of the Godspeed and Other Stories by James Patrick Kelly
18. The Ant King and Other Stories by Benjamin Rosenbaum
19. Gateway to Paradise: The Collected Stories of Jack Williamson, Volume Six by Jack Williamson
20. The Autopsy and Other Tales by Michael Shea
21. Ten Sigmas and Other Unlikelihoods by Paul Melko

Best Anthology
Winner:
1.   The Year's Best Science Fiction: Twenty-fifth Annual Collection edited by Gardner Dozois

Other Nominees:
2.   The Year's Best Fantasy and Horror 2008: Twenty-first Annual Collection edited by Ellen Datlow, Kelly Link, and Gavin J. Grant
3.   Galactic Empires edited by Gardner Dozois
4.   Eclipse Two edited by Jonathan Strahan
5.   The Starry Rift edited by Jonathan Strahan
6.   Fast Forward 2 edited by Lou Anders
7.   Fast Ships, Black Sails edited by Ann VanderMeer and Jeff VanderMeer
8.   Steampunk edited by Ann VanderMeer and Jeff VanderMeer
9.   Wastelands: Stories of the Apocalypse edited by John Joseph Adams
10. The Del Rey Book of Science Fiction and Fantasy edited by Ellen Datlow
11. The New Weird edited by Ann VanderMeer and Jeff VanderMeer
12. Year's Best SF 13 edited by David G. Hartwell and Kathryn Cramer
13. Sideways in Crime edited by Lou Anders
14. The Solaris Book of New Science Fiction, Volume Two edited by George Mann
15. Extraordinary Engines: The Definitive Steampunk Anthology edited by Nick Gevers
16. The Best Science Fiction and Fantasy of the Year Volume Two edited by Jonathan Strahan
17. Poe's Children: The New Horror edited by Peter Straub
18. Subterranean: Tales of Dark Fantasy edited by William Schafer
19. A Science Fiction Omnibus edited by Brian W. Aldiss
20. Clockwork Phoenix edited by Mike Allen
21. A Book of Wizards edited by Marvin Kaye
22. The Mammoth Book of Best New Horror: Volume Nineteen edited by Stephen Jones
23. Year's Best Fantasy 8 edited by David G. Hartwell and Kathryn Cramer
24. Dreaming Again edited by Jack Dann

Best Nonfiction, Art, Related, or Reference Book
Winner:
1.   Coraline: The Graphic Novel by Neil Gaiman, adapted and illustrated by P. Craig Russell

Other Nominees:
2.   Spectrum 15: The Best in Contemporary Fantastic Art by Cathy Fenner and Arnie Fenner
3.   Rhetorics of Fantasy by Farah Mendlesohn
4.   What It Is We Do When We Read Science Fiction by Paul Kincaid
5.   Tales from Outer Suburbia by Shaun Tan
6.   Prince of Stories: The Many Worlds of Neil Gaiman by Hank Wagner, Christopher Golden, and Stephen R. Bissette
7.   The Vorkosigan Companion: The Universe of Lois McMaster Bujold edited by Lillian Stewart Carl and John Helfers
8.   H. Beam Piper: A Biography by John F. Carr
9.   A Lovecraft Retrospective: Artists Inspired by H.P. Lovecraft edited by Jerad Walters
10. The Worlds of Jack Williamson: A Centennial Tribute 1908-2008 edited by Stephen Haffner
11. An Unofficial Companion to the Novels of Terry Pratchett edited by Andrew M. Butler
12. Miracles of Life: Shanghai to Shepperton by J.G. Ballard
13. Lexicon Urthus: A Dictionary for the Urth Cycle, Second Edition by Michael Andre-Driussi
14. The Paintings of J. Allen St. John: Grand Master of Fantasy by Stephen D. Korshak
15. The Magician's Book: A Skeptic's Adventures in Narnia by Laura Miller
16. Anthony Boucher: A Biobibliography by Jeffrey Marks
17. Paint or Pixel: The Digital Divide in Illustration Art edited by Jane Frank

Best Editor
Winner:
1.   Ellen Datlow

Other Nominees:
2.   Gardner Dozois
3.   Gordon van Gelder
4.   David G. Hartwell
5.   Jonathan Strahan
6.   Patrick Nielsen Hayden
7.   Lou Anders
8.   Ann VanderMeer and Jeff VanderMeer
9.   Sheila Williams
10. Peter Crowther
11. Jim Baen
12. Gavin Grant and Kelly Link
13. Stanley Schmidt
14. Terri Windling
15. William Schafer
16. Shawna McCarthy
17. (tie) Teresa Nielsen Hayden
      (tie) Martin H. Greenberg
19. Toni Weisskopf
20. Ginjer Buchanan
21. Beth Meacham
22. Andy Cox
23. Sharyn November

Best Magazine
Winner:
1.   Fantasy & Science Fiction

Other Nominees:
2.   Asimov's
3.   Analog
4.   Subterranean
5.   Realms of Fantasy
6.   Interzone
7.   Lady Churchill's Rosebud Wristlet
8.   The New York Review of Science Fiction
9.   Clarkesworld Magazine
10. Strange Horizons
11. Weird Tales
12. SF Site
13. Jim Baen's Universe
14. Ansible
15. Postscripts
16. SF Weekly
17. Electric Velocipede
18. Cemetery Dance
19. Fantasy Magazine
20. Black Gate
21. The Internet Review of Science Fiction
22. SFRevu

Best Book Publisher or Imprint
Winner:
1.   Tor

Other Nominees:
2.   Subterranean Press
3.   Night Shade Books
4.   Baen
5.   Ace
6.   Del Rey
7.   Gollancz
8.   Bantam Spectra
9.   Pyr
10. PS Publishing
11. DAW
12. Orbit
13. NESFA Press
14. Small Beer Press
15. Tachyon
16. Eos
17. Golden Gryphon
18. Roc
19. St. Martin's
20. Firebird
21. Solaris
22. SF Book Club
23. Arkham House

Best Artist
Winner:
1.   Michael Whelan

Other Nominees:
2.   Bob Eggleton
3.   John Picacio
4.   Shaun Tan
5.   Charles Vess
6.   Stephan Martiniere
7.   Dave McKean
8.   Donato Giancola
9.   Kinuko Y. Craft
10. Thomas Canty
11. Frank Frazetta
12. John Jude Palencar
13. Jim Burns
14. Leo Dillon and Diane Dillon
15. J.K. Potter
16. Vincent Di Fate
17. Don Maitz
18. Boris Vallejo
19. Michael Kaluta
20. Frank Wu
21. Tom Kidd
22. Yoshitaka Amano
23. Julie Bell

Go to previous year's nominees: 2008
Go to subsequent year's nominees: 2010

Book Award Reviews     Home

Wednesday, April 29, 2009

2009 Clarke Award Nominees

Location: Sci-Fi London at the Apollo Piccadilly Circus in London, United Kingdom.

Comments: I've said this before, but the 2009 slate of Clarke Award nominees will make me say it again: The volume of excellent science fiction being produced in recent years has simply been overwhelming. On this ballot I am partial to Neal Stephenson's book Anathem, but that's mostly because I like Stephenson's work. Being perfectly honest, all of the books on this list would have been worthy winners of the award, and probably would have been shoo-in's to win if they had been nominated in earlier decades.

Winner
Song of Time by Ian R. MacLeod

Shortlist
Anathem by Neal Stephenson
House of Suns by Alastair Reynolds
The Margarets by Sheri S. Tepper
Martin Martin's on the Other Side by Mark Wernham
The Quiet War by Paul J. McAuley

What Are the Arthur C. Clarke Awards?

Go to previous year's nominees: 2008
Go to subsequent year's nominees: 2010

Book Award Reviews     Home

Saturday, April 25, 2009

2009 Nebula Award Nominees

Location: Los Angeles, California.

Comments: 2009 was a good year for female authors. The year saw two of my favorite authors - Ursula K. Le Guin and Catherine Asaro, both win Nebula Awards, and also saw Nina Kiriki Hoffman pick up an award as well. The Andre Norton Award went to Ysabeau Wilce. One might think that with four of the six available awards going to works authored by women, that this was a very good year for gender equity.

And for the most part, one would be correct. Most of the award categories had fields of nominees that were more or less evenly balanced between the sexes, with women gaining a very slight edge overall. The field of Andre Norton nominees was dominated by female writers. On the other hand, while Le Guin won the Nebula for Best Novel, she did so against an entirely male field of other nominees and there were no writers among those nominated for the Best Script Award. On the whole, however, 2009 indicates just how far the Nebula Awards had come from the almost exclusively boys' club of the 1960s and 1970s, to being a much more representative and inclusive honor.

Best Novel

Winner:
Powers by Ursula K. Le Guin

Other Nominees:
Brasyl by Ian McDonald
Cauldron by Jack McDevitt
Little Brother by Cory Doctorow
Making Money by Terry Pratchett
Superpowers by David J. Schwartz

Best Novella

Winner:
The Spacetime Pool by Catherine Asaro

Other Nominees:
Dangerous Space by Kelley Eskridge
Dark Heaven by Gregory Benford
The Duke In His Castle by Vera Nazarian
The Political Prisoner by Charles Coleman Finlay

Best Novelette

Winner:
Pride and Prometheus by John Kessel

Other Nominees:
Baby Doll by Johanna Sinisalo, translated by David Hackston
Dark Rooms by Lisa Goldstein
If Angels Fight by Richard Bowes
Kaleidoscope by K.D. Wentworth
Night Wind by Mary Rosenblum
The Ray-Gun: A Love Story by James Alan Gardner

Best Short Story

Winner:
Trophy Wives by Nina Kiriki Hoffman

Other Nominees:
26 Monkeys, Also the Abyss by Kij Johnson
The Button Bin by Mike Allen
Don't Stop by James Patrick Kelly
The Dreaming Wind by Jeffrey Ford
Mars: A Traveler's Guide by Ruth Nestvold
The Tomb Wife by Gwyneth Jones

Best Script

Winner:
WALL-E by Andrew Stanton, Jim Reardon, and Peter Docter

Other Nominees:
The Dark Knight by Jonathan Nolan, Christopher Nolan, and David S. Goyer
Stargate Atlantis: The Shrine by Brad Wright

Andre Norton Award

Winner:
Flora's Dare by Ysabeau S. Wilce

Other Nominees:
The Adoration of Jenna Fox by Mary E. Pearson
Graceling by Kristin Cashore
Monster Blood Tattoo, Book Two: Lamplighter by D.M. Cornish
Savvy by Ingrid Law

Go to previous year's nominees: 2008
Go to subsequent year's nominees: 2010

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Friday, January 30, 2009

Biased Opinion - Nitpicking Peter Jackson's Lord of the Rings

I first saw all three Lord of the Rings movies in their theatrical release. Every year, for three years, the Christmas gift I looked forward to was the Special Extended Edition DVD of each movie. Before I go any further, I must emphasize that I like the Peter Jackson movies. They are better than anything a fan could have hoped to expect, and certainly leaps and bounds better than the Bakshi or Rankin Bass animated movies.

Even so, when recently rewatching them after not having seen them for about a year, I became convinced that, as good as they are, the movies should have been much better. Elements that I mentally glossed over in my mind jumped to the forefront when seen again. This, and the following posts, are the result of the observations I made while watching the extended editions of the movies, and listening to the various commentary tracks on them (for the record, there are four commentary tracks on each movie).

Note: All of my comments relate to the Special Extended Edition DVD versions of the movies The Fellowship of the Ring, The Two Towers, and The Return of the King.

My first nitpick applies to all three films, although it isn't so much a Lord of the Rings nitpick as it is a general complaint about movie making. I am referring to the phenomenon I think can be best described as Hollywood Armor - specifically, the fact that on screen, armor provides absolutely no protection against anything at all. In all of the Lord of the Rings movies this is true as well - armor is little more than decorative clothing that doubles as a uniform.

This lack of protection manifests itself in many ways in the film - armored arms are cut off with ease, arrows pierce every armored chest (I believe that every arrow fired in the movies kills someone, no matter how much protection they are wearing). There is only one scene I can remember in the trilogy in which armor actually protects someone, and I suspect that is because the scene is drawn directly from the original books - when Frodo is stabbed by the cave troll in Moria and is saved by his mithril shirt. But I think that three scenes illustrate just how useless armor is in the Lord of the Rings:

1. The first is quite short, part of a much larger battle sequence in fact. In The Return of the King, after the forces of Mordor have battered down the gates of Minas Tirith and are flooding into the city, a wild melee takes place as poorly armored orcs take on the city's soldiers who are clad in what appears to be plate armor. I say "what appears" because it seems to be made of tinfoil. Orcs armed with wooden clubs batter the defenders into submission. In the silliest part of the fight, an orc grabs a guardsman and bites him on the shoulder. His plate armored shoulder. From the resulting pained expression on the soldier's face, apparently orcs can bite through steel.

2. In the climatic battle scene in The Fellowship of the Ring, Aragorn manhandles a helmed Uruk, bashing his head against a stone pillar. Or rather, bashing his helmet against a pillar. Apparently, Uruk helmets provide no protection against blows to the head, as the Uruk immediately collapses, apparently knocked out.

3. And in the silliest scene: When Eomer is banished by Wormtongue in The Two Towers, some of Wormtongue's henchmen grab the hero and rough him up, by punching him in his mail armored midsection. This is just ridiculous - punching an armored person in the stomach won't hurt them in the slightest, and will just injure your hand. So, in the scene, does Eomer smirk as the henchmen howl in pain from their broken fingers? No, he doubles over, since his armor provides no protection at all, even against unarmed attackers. The real stupidity of this scene derives from the fact that it could have been easily changed to make sense: the hoodlums could have hit Eomer in his unarmored face, or menaced him with knives or swords. But no. We have a typical, boring, and ultimately stupid roughing up sequence reminiscent of a B grade mafia movie.

The lack of usefulness of armor in the movies extends to shields as well. For example, the Uruk-Hai and other orcs often carry shields. But they don't seem to actually use them as protective devices - Uruk shields are used as weapons or snowboards more often than they are used as protection. The Rohirrim seem to have figured the uselessness of shields out though, since they carry them to the Battle of Pelennor Fields, but leave them hanging off their saddles. (One wonders why they bothered to weight their horses down with heavy equipment they obviously considered useless). Often, you see characters carrying shields in a fencing stance, with their shield behind their bodies, so they can have a range of motion to parry with their sword. Note to Hollywood fight coordinators: When a character carries a shield, he should use that to block incoming attacks, not his sword.

Once again, shields prove useful (in a limited sense) exactly once, and for the same reason armor proved useful once - when Eowyn confronts the Witch-King, she grabs a shield and it protects her from one blow of the Nazgul's giant flail. I strongly suspect that if Tolkien had not explicitly written the shield smashing element into that battle, Eowyn would not have bothered with this sort of protection.

The Lord of the Rings movies aren't the only offenders in this area - the full plate armor worn by the knights in Excalibur proves to be surprisingly ineffective. The Normans in the Robin of Sherwood BBC series universally wear mail armor and carry shields, both of which prove to be entirely useless when it comes to actually protecting them.

This is a Hollywood trope that needs to die, and die soon. Quit putting characters in armor and then treating it like they were wearing sweaters or sheets of aluminum foil. If someone carries a shield, they should treat it as more than a cumbersome bashing tool. These sorts of silly fight conventions just make movies look stupid, and pull the viewer out of the action with their ridiculousness. Just stop it. Stop it now.

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Wednesday, December 31, 2008

2008 Campbell Award Nominees

Location: Campbell Conference Awards Banquet at the University of Kansas in Lawrence, Kansas.

Comments: In 2008, Kathleen Ann Goonan became only the third woman to ever win the Campbell Award. I know that I may sound like a broken record at times, but this track record is kind of ridiculous. Here we are, in the twenty-first century, and the list of nominees for this year only had four nominees written by female authors out of fourteen total nominees. Not only that, the slate of nominees is ridiculously white - there were only two works nominated whose author was not white. The end result is a ballot that is very male and very white. And in 2008, this is simply embarrassing.

Best Novel

Winner:
In War Times by Kathleen Ann Goonan

Second Place:
The Yiddish Policemen's Union by Michael Chabon

Third Place:
The Execution Channel by Ken MacLeod

Finalists:
Axis by Robert Charles Wilson
Bad Monkeys by Matt Ruff
Brasyl by Ian McDonald
Deadstock by Jeffrey Thomas
HARM by Brian W. Aldiss
Mainspring by Jay Lake
The Margarets by Sheri S. Tepper
The New Moon's Arms by Nalo Hopkinson
Rollback by Robert J. Sawyer
Time's Child by Rebecca Ore
Zig Zag by Jose Carlos Somoza

Go to previous year's nominees: 2007
Go to subsequent year's nominees: 2009

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2008 Prometheus Award Nominees

Location: Unknown.

Comments: The Prometheus Award Hall of Fame is, and always has been, something of an odd duck. The nominees are usually an almost random grab-bag ranging from classic works of fiction that tangentially touch upon themes dear to the hearts of libertarians, to recent works published by authors who are idolized by the members of the Libertarian Futurist Society, plus an assortment of works that don't fit into this axis, many of which seem to be present merely to give the award some intellectual heft. In 2008, the nominees were all classic works that feature passing mentions of libertarian-like sentiments, but which, in many cases, don't really seem to support the libertarian ideology. I can understand wanting to have authors like T.H. White and J.R.R. Tolkien on a libertarian award's list of honorees. It gives a certain amount of respectability to have works by such authors listed with the other works that have been honored. But the honor rings hollow when their works don't really espouse the libertarian ideology.

Best Novel

Winner:
(tie) The Gladiator by Harry Turtledove
(tie) Ha'Penny by Jo Walton

Other Nominees:
The Execution Channel by Ken MacLeod
Fleet of Worlds by Larry Niven and Edward M. Lerner
Ragamuffin by Tobias S. Buckell

Hall of Fame

Winner:
A Clockwork Orange by Anthony Burgess

Other Nominees:
As Easy as A.B.C. by Rudyard Kipling
The Lord of the Rings (The Fellowship of the Ring, The Two Towers, and The Return of the King) by J.R.R. Tolkien
The Once and Future King by T.H. White
That Hideous Strength by C.S. Lewis

Go to previous year's nominees: 2007
Go to subsequent year's nominees: 2009

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2008 Clarke Award Nominees

Location: Sci-Fi London at the Apollo Piccadilly Circus in London, United Kingdom.

Comments: You can often discern the concerns of an era by looking at the science fiction that its authors produce. The 2008 Clarke Awards were focused on militarism, as reflected in Richard Morgan's novel Black Man, terrorism as reflected in Ken MacLeod's novel The Execution Channel, and fear of nuclear holocaust, as reflected in Stephen Baxter's The H-Bomb Girl. The unifying theme of the genre fiction that appears on this year's ballot appears to be fear of our neighbors and fear of our own creations. Science fiction has always had an undercurrent of fear of technology and fear of the other, starting with Frankenstein, and that undercurrent rises and falls seemingly in time with the mood of the society around it, and in 2008, the mood of the society was decidedly fearful and that is reflected in the fiction that was produced.

Winner
Black Man by Richard Morgan

Shortlist
The Carhullan Army by Sarah Hall
The Execution Channel by Ken MacLeod
The H-Bomb Girl by Stephen Baxter
The Raw Shark Texts by Steven Hall
The Red Men by Matthew de Abaitua

What Are the Arthur C. Clarke Awards?

Go to previous year's nominees: 2007
Go to subsequent year's nominees: 2009

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Sunday, November 2, 2008

2008 World Fantasy Award Nominees

Location: World Fantasy Convention, Calgary, Alberta.

Comments: Even though there are still serious gender disparity issues displayed in the 2008 slate of World Fantasy Award nominees, I'm going to skip by that to point out an even more troubling issue that isn't as readily apparent at first glance: This list of nominees is very white. Looking through the list, I can't identify a single nominee who isn't white. Having such a pale shade of nominees seems to be something of a tradition for the World Fantasy Awards, but by 2008 all-white nominee lists should have been a somewhat awkward piece of historical trivia. Sure, every now and then someone like Nalo Hopkinson would get a nomination, and might even win an award, but on the whole the minority nominees have been vastly outnumbered by their lily white competition to an entirely embarrassing degree, even at this late date.

Best Novel

Winner:
Ysabel by Guy Gavriel Kay

Other Nominees:
Fangland by John Marks
The Gospel of the Knife by Will Shetterly
The Servants by Michael Marshall Smith
Territory by Emma Bull

Best Novella

Winner:
Illyria by Elizabeth Hand

Other Nominees:
Cold Snap by Kim Newman
The Master Miller's Tale by Ian R. MacLeod
The Mermaids by Robert Edric
Stars Seen through Stone by Lucius Shepard

Best Short Fiction

Winner:
Singing of Mount Abora by Theodora Goss

Other Nominees:
The Cambist and Lord Iron: A Fairy Tale of Economics by Daniel Abraham
The Church on the Island by Simon Kurt Unsworth
Damned If You Don't by Robert Shearman
The Evolution of Trickster Stories Among the Dogs of North Park After the Change by Kij Johnson

Best Anthology

Winner:
Inferno edited by Ellen Datlow

Other Nominees:
The Coyote Road: Trickster Tales edited by Ellen Datlow and Terri Windling
Five Strokes to Midnight edited by Gary A. Braunbeck and Hank Schwaeble
Logorrhea edited by John Klima
Wizards edited by Jack Dann and Gardner Dozois

Best Collection

Winner:
Tiny Deaths by Robert Shearman

Other Nominees:
Dagger Key and Other Stories by Lucius Shepard
Hart & Boot & Other Stories by Tim Pratt
Plots and Misadventures by Stephen Gallagher
Portable Childhoods by Ellen Klages
The Secret Files of the Diogenes Club by Kim Newman

Lifetime Achievement

Winner:
Leo Dillon and Diane Dillon
Patricia A. McKillip

Other Nominees:
None

Best Artist

Winner:
Edward Miller

Other Nominees:
Ruan Jia
Mikko Kinnunen
Stephan Martiniere
John Picacio

Special Award, Professional

Winner:
Peter Crowther

Other Nominees:
Allison Baker and Chris Roberson
Alan Beatts and Jude Feldman
Jeremy Lassen and Jason Williams
Shawna McCarthy
Gordon van Gelder

Special Award, Non-Professional

Winner:
Midori Snyder and Terri Windling

Other Nominees:
G.S. Evans and Alice Whittenburg
Stephen Jones
John Klima
Rosalie Parker and Raymond Russell

Go to previous year's nominees: 2007
Go to subsequent year's nominees: 2009

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Saturday, October 18, 2008

2008 WSFA Small Press Awards

Location: CapClave in Rockville, Maryland.

Comments: One of the more interesting things about the WSFA Small Press Award is that is is judged anonymously - before the stories on the short list are given over to the members of WSFA to read and vote upon, the names of the authors of the stories and the publications in which the stories appeared in are removed. This means that particular authors or publications gain no benefit from any name recognition that might boost their standing, leaving the writing itself as the sole guide for the voters.

The net result of the WSFA voting system is to make it is quite possible for a lesser-known author to beat out an established "name" in the genre. In 2008, this was demonstrated quite handily as relatively new writer Tom Doyle won the award over a strong field that included works by established industry stalwarts Elizabeth Bear and Jeff VanderMeer.

WSFA Small Press Award

Winner:
The Wizard of Macatawa by Tom Doyle (reviewed in The Wizard of Macatawa and Other Stories)

Other Nominees:
Bufo Rex by Erik Amundsen
Orm the Beautiful by Elizabeth Bear
Harry the Crow by John Kratman
Mask of the Ferret by Ken Pick and Alan Loewen
The Third Bear by Jeff VanderMeer

Go to previous year's nominees: 2007
Go to subsequent year's nominees: 2009

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Tuesday, September 16, 2008

Biased Opinion - Not All Opinions Matter

It seems to have become an article of faith in many places that all opinions, no matter how loony, must be considered. On internet boards especially, one seems to be expected to respond to the most ridiculously silly opinions offered, simply on the basis that someone holds such an opinion. If you ignore them, you are accused of ducking the issue, or the other party declares that such a non-response is evidence that their views are valid, or some similar accusation. It has become accepted that one must spend time and effort responding even the most outlandish claims.

This is, to put it bluntly, simply idiotic.

All opinions are not made equal. All opinions do not deserve respect. In point of fact, some opinions deserve little more than derision and scorn. Specifically, I am referring to uninformed opinions. An opinion announced that is based upon no actual knowledge on the part of the speaker is worth exactly nothing. (I believe that it was Harlan Ellison who said, "[y]ou are not entitled to your opinion, you are entitled to your informed opinion. If you are not informed on the subject, then your opinion counts for nothing.") I don't think this should need to be said, but apparently it does. If you show up at a discussion, and offer up an opinion on a subject you know nothing about, you should probably expect to be ridiculed. And you deserve to be.

So, why does this matter? Well, with respect to science fiction, it comes up a lot. Many people assert that they don't like science fiction. When asked what science fiction they have been exposed to, the answer is usually "Star Wars" (or "Star Trek"), and often not even that. The answer to that is that they have demonstrated, at most that they don't like Star Wars, not that they don't like science fiction (that's okay, I don't much like The Matrix, I still like science fiction though). Recently, while being interviewed concerning his role in a production of MacBeth, Patrick Stewart was chided by the Newsweek interviewer about attracting weird Trekkies to the theatre. Unlike what happens most of the time, Stewart asked the interviewer how many Trekkies he'd actually met. The interviewer was unable to identify any. Stewart asked him to explain why Trekkies and Star Trek are weird. Rather than try to talk his way out of his now shockingly exposed ignorance, the interviewer terminated the interview and ran an unflattering article about Stewart.

Opinions are also frequently aired by people seeking to distance their "good" production from "bad" science fiction. It is currently in vogue for actors to talk about their new science fiction series as if it were a significant break from science fiction of the past. I believe it was Katee Sackhoff who said that Battlestar Galactica wasn't like other science fiction because it had characters and plot. It is treated by most media as being so apparent that science fiction is usually devoid of such things that the obvious follow-up question "What science fiction programs are you referring to as lacking in such elements" was never asked. I suppose that neither Katee nor her interviewer had ever heard of Babylon 5, or Farscape (read review), or Firefly, or Blade Runner, or The Matrix, or 2001 and on and on, many of which had an actor at some point try to argue that their show wasn't like all those "bad" science fiction shows because it broke new dramatic ground and has characters and plot. I am curious to see the next actor who forgets Katee's statements about Battlestar Galactica and claims their new show is great because it isn't like all those old, trashy characterless and plotless shows that came before.

This sort of ignorance on parade is not new. I remember a short-lived series called Earth 2. In the hype leading up to the series, much was made of the fact that they weren't going to use veteran science fiction writers for the show. They were going "break new ground" and show those silly people living in the science fiction ghetto what real writing was like. Earth 2 would be innovative and great, with plot, characters, and new ideas. What really happened was this: because they had no knowledge of the genre they were entering, the writers and producers of the show rehashed ideas that had been old in science fiction books, movies, and television years or even decades before. Instead of being innovative, the show was the same tired old cliches (many of them done worse than they had already been done before), and didn't even know it. By not knowing the genre they expressed their opinions on, the makers of Earth 2 simply embarrassed themselves.

So, the next time someone says "I don't like science fiction", ask them to back up their statements. Ask if they have read any. Most people will say "no". In this case, the question becomes, how they would come to a conclusion that they didn't like something they had never tried. And the truly sad thing about these sorts of opinions is that most people have read and enjoyed science fiction, without even knowing it. But they expect science fiction to be what they have been told it is - ray guns, funny aliens with tentacles, robots, and exploding spaceships.

When I find someone who is adamant about their dislike of science fiction, I try to find out what they have read or seen. I ask them about Flowers for Algernon, about Frankenstein, about 1984, about Brave New World, about The Road. I ask them about The Left Hand of Darkness. I then point out that all of these are science fiction and see if they might want to revise their uninformed opinion to an informed one.

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Monday, August 25, 2008

Biased Opinion - What Is a Sport?

The other day, I had the Olympics on, and NBC was showing the team synchronized swimming event (I know, but no other channels were carrying any Olympic coverage, so I was stuck with that). I was not paying a whole lot of attention, when my 10 year old son came upstairs from the basement and asked what I was watching. "The Olympics" I said. He studied the screen for about ten seconds of the Spanish women whipping their legs about in the air, and pronounced "That isn't a sport."

There has been a lot of controversy this Olympics about subjective sports. Of course, there is always a lot of controversy about them - that seems to be inherent to such endeavors. And the Olympics seem to breed these silly things: synchronized diving appears to be the most recent. The silly nature of a lot of these sports has spawned reactions, such as the "Real Medal Count" tallies in the media, and within the sports themselves, ever desperate attempts to somehow make the scoring systems less subjective and open to abuse.

The list of purely subjective sports in the Olympics is long, and getting longer. The original, 1896 Olympics only had one: gymnastics. All the others appear to have descended, in some way from gymnastics (like diving, developed when gymnasts practicing their routines would dive into water). A possibly incomplete count of those currently in the Olympics is: Gymnastics, diving, rhythmic gymnastics, figure skating, ice dancing, dressage, synchronized swimming, >synchronized diving, half pipe snowboarding and other freestyle skiing or snowboarding events. Further, there are several subjective sports knocking on the door, trying to get in are such things as ballroom dancing, skateboarding, and other "X games" type events. So, what is a sport?

One may ask, as an initial question, why does it matter? Shouldn't we just decide if something is a good competition and add it to the roster? Well, the IOC doesn't see things that way. The IOC has imposed limits on how many sports can be in the Olympics - no more than 28 sports for a total of no more than 301 events, and a limit of 10,500 athletes. These definitions are not always adhered to - the 10,500 athlete limit has been ignored for the most part, and the definition of what a single "sport" is is so loose as to be meaningless (for example, synchronized swimming is part of aquatics, which means that to get rid of it, using the IOC rules, you would have to eliminate the swimming races as well, which is silly; rhythmic gymnastics is also protected, by being part of the "gymnastics" sport). But the 301 even limit is pretty much strictly adhered to. The upshot of this is that to add a sport, one has to get rid of an existing sport. So, if you want rugby, or golf, or now, baseball, you have to axe something that is currently on the roster.

This is stupid. The mammoth stupidity of this sort of "limit" is simply almost indescribable. It does a good job of demonstrating the paucity of the IOCs vision of the Olympics. Rather than providing a world stage for sports, they simply want to have a select few so the games will be "manageable". The given reason for the limits is this: the games are expensive to run, and adding more events means that poor cities in poor countries won't have a shot at hosting the games. Okay, that could be a problem. On the other hand, there are numerous ways of overcoming this without putting an artificial limit on inclusion. (How did they come up with the limit you ask? It appears that they simply decided to freeze the Olympics in place as they were when they made the decision. Good thing they didn't freeze it in 1896, then we'd have nothing but track and field, cycling, fencing, gymnastics, shooting, swimming, tennis, weightlifting, and wrestling). For example, allow cities or smaller countries to submit joint bids, the Beijing Olympics weren't really held entirely within Beijing anyway. But no. We have to limit the games, so we can have sports beg to stay. And really, if rhythmic gymnastics is in the Olympics, why isn't ballroom dancing in? What makes it distinctively different so that one is a sport and one is not?

Further, it is my opinion that many of the sports, like rhythmic gymnastics and synchronized swimming cheapen the games and devalue the medals earned in events like the marathon and the triathlon. A friend of mine has what could be called the "make-up" standard, which is this: if it would be unthinkable to compete in an event without your make-up, then the event isn't a sport. And while I disagree with the standard, that, to me, sums up why these events devalue the objective athletic competitions. When you are concerned with how pretty you are when competing, then you aren't an athlete (and, in my opinion, most of the so-called athletes who are in such sports are far less attractive than those in the objective sports: Kerri Walsh, Misty May-Treanor, Muna Lee and so on are all much more attractive to my eyes).

So, finally, what is a sport? In my opinion, the definition of what is not a sport boils down to this: if any part of the sport is dependent upon whether you have pointed your toes, straightened your arms completely, or kept your legs together properly, then you aren't competing in a sport. Yes, I know, this eliminates pretty much all of the subjective sports, and that's the point. Pointy toes are not sports. What is that I hear from the peanut gallery? These are difficult and require lots of skill? Sure they do. I won't argue with you there. But it takes more than effort and skill to make something a sport. Here are some other activities that require either effort or skill, or both: ballet dancing, construction work, guitar playing, ditch digging, chess, and auto repair. None of them are sports. Neither is diving. Things can be hard and not be a sport. Deal with it.

Some people have come up with the "real medal count", eliminating what they believe are the subjective sports - and have tossed out boxing, tae kwon do, judo and wrestling too. I disagree with that assessment because I believe those sports can be salvaged. Yes, boxing and tae kwon do have had significant scoring controversies (and those questioning the scoring in those events are, in my opinion, justified), but if fencing can come up with a neutral electronic scoring system, then those sports can too. Wrestling and judo are a harder call, because there is no way to come up with an electronic scoring system for them, but they have objective rules concerning what should and should not score, so I think they could be handled fairly, and thus get to stay on a probationary basis.

If I were somehow made king of the world, I would dump all the "pointy-toe" sports from the Olympics. Synchronized swimming? Gone. Diving? No more. Half-pipe? See ya. And so on. I would be magnanimous - artistic gymnasts and divers in individual events in previous Olympic contests can keep their medals. Medals earned by synchronized swimmers, synchronized divers, rhythmic gymnasts and so on? I'd revoke all of those retroactively. But that's just me. And it's unlikely that I will ever be king of the world.

But the serious note is this: The IOC has created an artificial situation with an arbitrary limit. Then it has added obnoxiously corrupt subjective sports in the Olympics and kept out things like rugby (and kicked out baseball) because of that artificial standard. Are these really the guys who should be running the centerpiece world sporting event? I don't think so.

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